Charlie Gillett

Freelance journalist from 1967, weekly column in UK weekly, Record Mirror and reviews and features for US publications including Rolling Stone, Creem, Fusion, etc. History of rock ‘n’ roll, The Sound of the City first published in New York in 1970, when full-page reviews in Time Magazine and the New York Times led to author's tour of the States and subsequent publication by Souvenir Press in UK in 1971. Included on Reading Lists on many US college courses in Media Studies; in print ever since. Revised Third Edition published in 1996 by Souvenir (UK) and Da Capo (US), with substantial photo section and a guide to compilation CDs. Making Tracks: The History of Atlantic Records published by St Martins Press, New York, 1974. Consultant to the Oxford English Dictionary; Contributing Editor for the Encyclopaedia Britannica. Album reviewer for The Observer Music Monthly since 2002.
From March 1972 produced/presented weekly Sunday lunchtime show on BBC Radio London, "Honky Tonk", playing the "roots" of pop music - R&B, soul, rock 'n' roll, gospel and cajun - alongside whatever contemporary music that seemed to fit. Muddy Waters, Professor Longhair, Bonnie Raitt, Dr John and Ry Cooder were among the many guests. Airplay on "Honky Tonk" for demos by Graham Parker, Elvis Costello and Dire Straits led to record deals. Moved to London’s leading commercial pop station, Capital Radio in 1980 and from ’83 pioneered the first British radio show specializing what came to be called World Music, providing the first UK airplay for Youssou N'Dour, Arrow, Salif Keita and many other African and Caribbean artists in shows successively named "A Foreign Affair", "The City Beats" and "A World of Difference". Sony Gold Award for UK Broadcaster-of-the-Year, 1991. Researched/ presented six one hour specials, "Soul Pioneers", BBC Radio 2, 1998-2000 (Sam Cooke, Marvin Gaye, Ray Charles, Aretha Franklin, Curtis Mayfield, Otis Redding).
From 1995 to 2006 produced/presented two-hour "Saturday Night" on BBC London 94.9 FM, introducing the "Radio Ping Pong sessions", playing records with guests including author Nick Hornby, guitarists David Byrne, Mark Knopfler, Chrissie Hynde and Manu Chao. Sony Gold for Best Specialist Music Show, 2002. Also: A World of Music on the BBC World Service (since 1999) and World on 3 on Radio 3(since 2007).
Since 1972, co-director Oval record and publishing company with partner Gordon Nelki, recording first album by Ian Dury (as leader of Kilburn and the High Roads), co-producing first album by Lene Lovich (including international hit 'Lucky Number') for Stiff Records in 1979. Oval published by Paul Hardcastle’s 'Rain Forest' and "19," the latter selling 3 million copies worldwide in ’85. 'Would You...?' by Touch and Go was the Oval label’s first top 3 hit in the UK and a top ten throughout most of Europe 1998-1999. Music consultant to advertising agencies and film companies, selecting songs for many ad campaigns including Levis, and choosing the music for three films written by Hanif Kureishi, including My Son the Fanatic in 1998.
Charlie Gillett died in March 2010.
Rock's Backpages writers pay tribute to Charlie Gillett
137 articles
List of articles in the library
Charles Keil: Urban Blues (University of Chicago Press)
Book Review by Charlie Gillett, New Society, 13 October 1966
MOST WRITERS on popular music and the blues have approached post-1955 music with discomfort, concluding their books with despondent remarks about the commercialised depravity called ...
Interview by Charlie Gillett, Rock's Backpages Audio, 1968
From Harlem in the '50s to London in the late '60s: Clyde McPhatter on Billy Ward and the Dominos, The Drifters, Atlantic Records, Alan Freed and the usual trials and tribulations of an R&B artist.
File format: mp3; file sizs: 42.1mb, total interview length: 43' 50" sound quality: ***
Bob Dylan: John Wesley Harding
Review by Charlie Gillett, Anarchy, May 1968
THE PARABLE ON the sleeve of Bob Dylan's new LP should have dissuaded me and all the others who've presumed to discuss the songs on ...
Retrospective by Charlie Gillett, Freedom Anarchist Weekly, 31 August 1968
That's All Right (Xtra 5051)Blues From New Orleans, Vol. 1 (Storyville 670119) ...
Report by Charlie Gillett, Shout, 19 October 1968
IF YOU HAD 35/- to spend on the 1st week-end of September, and more than a passing interest in popular music, there was what seemed ...
Easy Rider: The Rock Generation Takes Over
Film/DVD/TV Review by Charlie Gillett, Record Mirror, 1969
Songs by Steppenwolf, the Byrds and the Band underline the message of EASY RIDER ...
Buddy Holly, Buddy Knox: Buddy Holly and Buddy Knox: Texas Buddies
Discography by Charlie Gillett, Record Mirror, 1969
LIKE THE rest of society, pop music isn't fair. The most successful singers earn more than they know what to do with, and the majority ...
Amos Milburn, Fats Domino: Jump Boogie and Shuffle
Retrospective by Charlie Gillett, Record Mirror, 1969
IT WOULD BE nice to be able to point to a man, a record, a year, and say, "There! Rock and roll started with him, ...
Reggae: A Night at Count Suckle's and Reggae
Film/DVD/TV Review by Charlie Gillett, Record Mirror, 1969
JUST WHEN all hope had been abandoned, the ITV Network surprised us. ...
Profile by Charlie Gillett, Times Educational Supplement, 31 January 1969
I'D NEVER SEEN The Family before, but the girl next to me had at Woburn Abbey and the Albert Hall, where she said they'd been ...
Review by Charlie Gillett, Times Educational Supplement, 14 March 1969
IF YOU'RE A young white man who digs the blues and who likes to make music, what do you do about it? Your decision used ...
Desmond Dekker, Errol Dixon: Reggay: Son of R & B
Overview by Charlie Gillett, Record Mirror, 10 May 1969
THERE WERE two kinds of reaction when Desmond Dekker's 'Israelites' started up the hit parades in March: blimey, I heard that before Christmas; and, the ...
Overview by Charlie Gillett, Record Mirror, 24 May 1969
THERE WAS a time, not so long ago, when almost all the writing about popular music was descriptive or informative. ...
The Who: Born to Sing The Blues
Comment by Charlie Gillett, Record Mirror, 14 June 1969
COLLECTORS of rhythm and blues music are doomed to perpetual frustration, as they witness one white singer after another plundering the culture they love. Occasionally, ...
Overview by Charlie Gillett, Record Mirror, 28 June 1969
ROCK AND roll was the victory of regional locality over the world, of precise beliefs over general theory, of particular feelings over universal philosophies. ...
Overview by Charlie Gillett, Record Mirror, 5 July 1969
THIS ARTICLE mentions a lot of singers you've never heard of. Why haven't you heard of them? (They're all very good, very important, and have ...
The Lovin' Spoonful: The Urban Villagers
Comment by Charlie Gillett, Record Mirror, 26 July 1969
POPULAR music is sentimental, trivial or melodramatic, and therefore need never be listened to by people who care about real feelings. ...
Lonnie Mack, Tony Joe White: The Real White Blues: Tony Joe White/Lonnie Mack
Review by Charlie Gillett, Record Mirror, 2 August 1969
TONY JOE WHITE may well be the most sympathetic man making music today. His records show a man who cares about people, a Southerner with ...
Nik Cohn: Pop; Paul Oliver: The Story of The Blues
Book Review by Charlie Gillett, Record Mirror, 23 August 1969
Charlie Gillett reviews two books on music: Pop by Nik Cohn, and The Story of The Blues by Paul Oliver ...
Overview by Charlie Gillett, Record Mirror, 30 August 1969
ON STAGE at the Apollo, Harlem: standing at one microphone, an immaculately dressed man dramatically insists his love. At the second mike, four men bend ...
James Brown: Telling The Natural Truth
Interview by Charlie Gillett, Record Mirror, 6 September 1969
'SAY IT LOUD I'm Black and I'm Proud' sold 20,000 copies in Britain, although the BBC played it only once. Is James Brown surprised? ...
Little Milton and The New Black Blues
Overview by Charlie Gillett, Record Mirror, 20 September 1969
THROUGH THE 1950's, men with loud voices, amplified guitars and a few noisy accompanists made a modest but sufficient living out of singing the blues ...
Gene Vincent Cuts A New LP: John Peel’s Label Gets A New Version of ‘Be-Bop-a-Lula’
Interview by Charlie Gillett, Record Mirror, 27 September 1969
ROCK'N'ROLL, WHICH HAS NEVER been far away since it made its first appearance in the early fifties, is without much doubt about to become all-powerful ...
The Flamingos, The Jive Five: The Jive Five: Where Are You Now
Comment by Charlie Gillett, Record Mirror, 27 September 1969
To the editor, R 'n' B World, New York. ...
Live Review by Charlie Gillett, Record Mirror, 4 October 1969
Jamaica triumph ...
Duke/Peacock: 20 Years of Don Robey's R&B Empire
Report by Charlie Gillett, Record Mirror, 16 October 1969
1969 Is the Twentieth Anniversary of Duke/Peacock Records of Houston, Texas, one of the best R & B Soul companies. ...
Albert King: Royal Albert Hall, London
Live Review by Charlie Gillett, Record Mirror, 5 November 1969
THE HERO of our times is a man who plays blues guitar, and the hero of heroes is Albert King. Huge, gentle, he holds his ...
Johnny Otis: The New Johnny Otis Show
Review by Charlie Gillett, Record Mirror, 12 November 1969
"I'm gonna lay right here on this wall, And drink this beer, And watch her walk. You heard me call a while ...
Owen Gray, Pat Kelly: Various Artists: Reggae Convention, Lyceum, London
Live Review by Charlie Gillett, Record Mirror, 15 November 1969
FOLLOWING up the great success of last month's Caribbean Festival at Wembley, the first Reggae Convention at the Lyceum promised to be at least as ...
Percy Sledge: The Best Of Percy Sledge
Interview by Charlie Gillett, Record Mirror, 13 December 1969
PERCY SLEDGE is here for a three-week tour, and to coincide with it Atlantic have released a single, 'True Love Travels On A Gravel Road', ...
Wilbert Harrison: Bring Back The Fifties
Column by Charlie Gillett, Record Mirror, 1970
EVERY YEAR, the manager of the Apollo Theatre in Harlem stages an 'oldies' show, in which almost forgotten stars of R&B relive their past for ...
Jerry Lee Lewis: The Start of It All
Comment by Charlie Gillett, Record Mirror, 1970
I PLAYED 'Great Balls Of Fire' to some college students last week. And while it played, and while they listened, I closed my eyes and ...
How to Build a Bridge Backwards: Life as a Part-time Disc Jockey
Comment by Charlie Gillett, Record Mirror, 3 January 1970
I HAD A STRANGE TIME the other day, playing records at a college party. ...
Review by Charlie Gillett, Rolling Stone, 18 February 1970
BOTH PIANO-PLAYING singers who started out singing rock and roll with Sam Phillips in Memphis and who have since moved into country and western, Jerry ...
Bill Justis, Booker T & The MGs: Bill Justis: The Baldest Rock'n'Roll Star
Interview by Charlie Gillett, Record Mirror, 7 March 1970
THE PRESS reception is for Booker T and the MG's. They introduce themselves through the mike on a stage at one end of the room, ...
Don Gibson: Lonesome Number One: Profile of Don Gibson
Profile by Charlie Gillett, Record Mirror, 28 March 1970
DON GIBSON is the most original country and western singer of the past 15 years, and that's been his problem. While everybody else has been ...
Brinsley Schwarz: The Lost Weekend
Report by Charlie Gillett, Record Mirror, 18 April 1970
Charlie Gillett's impressions of Brinsley Schwarz, the Fillmore East, and night life in New York ...
Joe South: The Other White South
Comment by Charlie Gillett, Record Mirror, 6 June 1970
MOST WHITE people in the American South like country and western music. ...
Overview by Charlie Gillett, Record Mirror, 27 June 1970
I'M NOT sure why, but I'm more often moved by men singing than by women. Somehow I can identify with a much larger range of ...
Bob Dylan, Randy Newman: Hyped By Your Heroes: Bob Dylan, Randy Newman
Comment by Charlie Gillett, Record Mirror, 25 July 1970
THE SUMMER of 1970 will go down in the history books as the time when the music of the period finally let loose the truth ...
Interview by Charlie Gillett, Rock's Backpages Audio, August 1970
From Little Esther to Big Mama, "The Duke Ellington of Watts" takes us back to Central Avenue: the shysters, the talent, the clubs and record labels; the hits, the misses and the rip-offs.
File format: mp3; file size: 47.8mb, interview length: 49' 50" sound quality: ***
Retrospective by Charlie Gillett, Record Mirror, 22 August 1970
THE MOST influential singer of the last 25 years was Roy Brown. ...
Profile by Charlie Gillett, The Alternative, 1 October 1970
AT THE TIME of his greatest popularity, 1955-59, there were several other singers who had more hits, were more often copied, and commanded higher fees ...
Isaac Hayes, Sly & the Family Stone: Coke-and-lemon beat and smiles for one whole hour
Live Review by Charlie Gillett, Record Mirror, 3 October 1970
Having moaned so long about the failure of British radio, TV, and record buyers to give the due recognition to black singers, I suppose I ...
Smokey Robinson & The Miracles: Do You Really Know What Soul IS?
Comment by Charlie Gillett, Record Mirror, 24 October 1970
I BELIEVE that the sudden rash of hit records by black singers is a flash in the pan, and doesn't mean anything in the long ...
Retrospective by Charlie Gillett, Fusion, 13 November 1970
TO START where I should, with autobiographical recollection: the only Little Willie John single I can remember hearing when it came out was 'Leave My ...
Chairmen Of The Board, Mary Wells: Motown: Still Making It?
Comment by Charlie Gillett, Record Mirror, 28 November 1970
FOUR years ago, there were a lot of people who made a point of going into their local record shops and asking, can I hear ...
Randy Newman: In Praise of the Ten Second Song
Comment by Charlie Gillett, Record Mirror, 19 December 1970
THE MOST influential record of 1970 was the Edwin Hawkins' Singers' 'Oh Happy Day', which came out in 1969. It takes a while for people ...
Interview by Charlie Gillett, Rock's Backpages Audio, 1971
From his youth as an avid record collector and black music fan, up to signing Ray Charles, Atlantic Records founder Ahmet Ertegün tells the whole story.
File format: mp3; in 4 parts, total file sizes: 103.7mb; total interview length: 1h 53' 29" sound quality: ***
Audio transcript of interview by Charlie Gillett, Rock's Backpages Audio, 1971
This is a transcript of Charlie's audio interview with Ahmet. Listen to the audio of this interview. ...
Interview by Charlie Gillett, Rock's Backpages Audio, 1971
From scuffling in the clubs and studios of late-'50s New Orleans, to his reinvention as Dr. John in mid-'60s L.A., Mac Rebennack tells the whole story - the gangsters, the drugs, the hard times and the high times. And, of course, the music, always the music.
File format: mp3; file size: 164.7mb, interview length: 2h 51' 32" sound quality: ***
Interview by Charlie Gillett, Rock's Backpages Audio, 1971
It's 1971, and the Allmans are on the rise, Jimmy Carter is in the Governor's Mansion, and Otis is four-years-dead: Capricorn man Phil Walden and pals look back at Otis, the MGs, and discuss race and the South with remarkable frankness.
File format: mp3; file size: 100.9mb, interview length: 1h 45' 03" sound quality: **
Rufus Thomas: Push and Pull That Funky Dog
Interview by Charlie Gillett, Record Mirror, 1971
REHEARSALS at Top of the Pops. A man who looks close to 50 years old goes up to a taller, younger man in dark glasses. ...
Sly & the Family Stone, Ike & Tina Turner: Soul reviews
Review by Charlie Gillett, Record Mirror, 1971
Ike and Tina Turner: Hammersmith Odeon, LondonSly and the Family Stone: Greatest Hits (Epic) ...
Interview by Charlie Gillett, Rock's Backpages Audio, 1971
The Land of a Thousand Drifters: Charlie Gillett talks with arguably the greatest recording engineer in rock and soul history about the early days with Atlantic, Leiber and Stoller, The Rascals and Stax.
File format: mp3; file size: 55.8meg, interview length: 58' 07" sound quality: ***
Comment by Charlie Gillett, Record Mirror, 9 January 1971
THERE must be about four generations of pop music fans reading this paper, and to each of them Carole King means something different. ...
Linda Ronstadt: Get That Ronstadt Message
Report and Interview by Charlie Gillett, Record Mirror, 20 February 1971
WELL, MY lady took the message, and she wrote it on the wall: "Linda Ronstadt, EMI Press Reception, 4 o'clock tomorrow." ...
Captain Beefheart: Lick My Decals Off, Baby (Bizarre)
Review by Charlie Gillett, Cream, May 1971
INSIDE CAPTAIN Beefheart is a corny old ballad-singing crooner, aching to sing those same old songs of sorrow and devotion. But the knows that kind ...
Review by Charlie Gillett, Cream, May 1971
THEY ALL AGREED, the people who went to see her on stage, that Janis had something special. The effect of her personality didnt come over ...
Lee Dorsey: Yes We Can (Polydor)
Review by Charlie Gillett, Cream, May 1971
LEE DORSEY's one of the easiest singers to underestimate: he seems to be completely unassuming, apparently equally prepared to sing good blues like 'Get Out ...
Wilson Pickett: In Philadelphia (Atlantic) and If You Need Me (Joy)
Review by Charlie Gillett, Cream, May 1971
IT SEEMS AS if Wilson Pickett's been the number two soul singer ever since the term was coined. Ray Charles, James Brown, Otis Redding, and ...
Carole King, Joy of Cooking: Joy of Cooking: Joy of Cooking, and Carole King: Tapestry
Review by Charlie Gillett, Ink, 12 June 1971
Joy of Cooking get better every time their record plays; they have no stylistic similarity with Van Morrison or the Band, but have the same ...
Profile by Charlie Gillett, Fusion, 23 July 1971
IF BRITAIN HAD a good system of radio stations, the history of the world might have been at least a little different. ...
Harold Battiste: All for One – A Study in Frustration and Black Organisation
Interview by Charlie Gillett, Cream, September 1971
HAROLD BATTISTE has worked on a lot of very big hits, but although you probably have some of them, it's unlikely you'll be able to ...
Smokey Robinson, Smokey Robinson & The Miracles: The Miracle of Smokey Robinson
Profile and Interview by Charlie Gillett, Record Mirror, 25 September 1971
ABOUT twelve years ago, Berry Gordy told Smokey Robinson how to write songs: "Every song should have an idea, tell a story, mean something." Smokey ...
Eddie Floyd, Johnny Adams: Johnny Adams: Heart And Soul; Eddie Floyd Down To Earth
Review by Charlie Gillett, Creem, October 1971
If anybody doubts that this is a poverty-stricken era for popular music, let him name a black solo male singer whose records he looks forward ...
Charlie Gillett replies to Book Review
Letter by Charlie Gillett, Who Put The Bomp!, Spring 1971
THANKS FOR the fantastic review — I had begun to get uneasy about praise that was coming from people who didn't know too much about ...
So You Wanna Be a Rock'n'Roll Writer (Keep a Carbon!)
Guide by Charlie Gillett, Rock File 1, 1972
My favourite music magazine is called Creem. It's published in Detroit, Michigan, and every month the first thing I see is a statement next to ...
Junior Parker: Junior's Last Stand
Obituary by Charlie Gillett, Cream, January 1972
WHILE I WAS in New York for a short time last April, I noticed some billposters up near Columbia University on the upper West Side, ...
Al Green, Van Morrison, Sly & the Family Stone: Soul Brothers: Al Green, Sly Stone, Van Morrison
Review by Charlie Gillett, Cream, January 1972
IS THE REVIEWER supposed to come to each record as an objective analyst? Or, if he isnt one, must he pretend he is? Impossible for ...
Review by Charlie Gillett, Rolling Stone, 3 February 1972
IN 1967, ARETHA Franklin moved from Columbia to Atlantic – in what soon proved to be one of the most important moments in the history ...
Rock Folk, Michael Lydon; Feel Like Going Home, Peter Guralnick; The Rolling Stone Interviews
Book Review by Charlie Gillett, Creem, March 1972
WHEN DOES the interviewer become PR man? Or vice-versa. It's depressing how often rock papers, in Britain and in the States, are prepared to let ...
Ray Charles: 25 Years In Show Business (Atlantic)
Review by Charlie Gillett, Cream, March 1972
FOR MOST OF US, Ray Charles is a singer. Asked if he does anything else, we'll probably be able to rattle off a few other ...
Review by Charlie Gillett, Rolling Stone, 30 March 1972
Fats goes to college, all his big hits and more, decked out in a double album that has a 12-page insert of pictures, information, analysis, ...
Smokey Robinson: The Way You Do The Things You Do
Profile by Charlie Gillett, Creem, April 1972
ABOUT TWELVE YEARS AGO, Berry Gordy told Smokey Robinson how to write songs. "Every song should have an idea, tell a story, mean something." Smokey ...
Review by Charlie Gillett, Rolling Stone, 8 June 1972
WIPE YOUR MIND clean of all you have ever heard and read about Dr. John the Night Tripper. If you knew that once he was ...
Review by Charlie Gillett, Let It Rock, July 1972
IF I WERE thirteen, or Lou was, or better still if we both were, this would be great, everything I wanted to think about life, ...
Professor Longhair: New Orleans Piano (Atlantic)
Review by Charlie Gillett, Rolling Stone, 28 September 1972
ALL RIGHT, ALL RIGHT. Gather round, all you fans of the Shuffling Hungarians, the Four Hairs, the Blues Scholars, and the Blues Jumpers, 'cause 'Fess ...
Jimmy Cliff: Various Artists: The Harder They Come
Review by Charlie Gillett, Let It Rock, October 1972
HOW TO GET into reggae in two easy stages. First you go to see the film The Harder They Come, which will engross you with ...
Johnny Nash: I Can See Clearly Now
Review by Charlie Gillett, Rolling Stone, 12 October 1972
AT LAST, REGGAE as all-around entertainment, whose rhythms will still generate movement in a crowded basement discotheque but whose arrangements and moods shift often enough ...
Jimmy Cliff: It’s A Hard Road to Travel, Yes It’s a Rough, Rough Road to Ride
Interview by Charlie Gillett, Let It Rock, November 1972
Why is there no Jamican International superstar? Despite providing the worlds pop music with the only genuinely new dance rhythm since rock n roll, and ...
Bobby Charles: Bobby Charles (Bearsville)
Review by Charlie Gillett, Rolling Stone, 23 November 1972
BOBBY MADE THIS RECORD lying flat on his back, with his eyes closed and his dog licking his feet. He was tired, it had been ...
Guide by Charlie Gillett, Fusion, February 1973
An appreciation in the form of a letter from Charlie Gillett to — I.C. Lotz c/o The Mad Peck Flash Burn Funnies Fusion 909 Beacon St. Boston, Mass. 02215 ...
Report and Interview by Charlie Gillett, New Musical Express, 17 February 1973
CHUCK BERRY. To a fan, the name sparks off a warm smile. After that depending on how old he or she is, the first song ...
Chuck Berry part 2: How Many Comebacks?
Interview by Charlie Gillett, New Musical Express, 24 February 1973
AS WE TALKED, Berry looked over a copy of Golden Decade Vol. 2 and ran his eye down the sleeve discography, commenting on some of ...
Rita Coolidge: The Lady's Not For Sale (A&M)
Review by Charlie Gillett, New Musical Express, 24 February 1973
ONE OF the bright young kids in the NME office played 10 seconds of each cut on side one, heard not a sound, and chucked ...
Allman Brothers Band, Duane Allman: Duane Allman: An Anthology (Warner/Capricorn)
Review by Charlie Gillett, Let It Rock, March 1973
PEOPLE WHO get this record in order to have a testament to one of the generation’s finest musicians will find that they have taken home ...
Review by Charlie Gillett, Let It Rock, March 1973
Rock and roll at its very best, today. Which is not the same thing as rock 'n' roll at its very best in 1956, as ...
Review by Charlie Gillett, Rolling Stone, 1 March 1973
THEY DON'T SAY so on the jacket, but this is The Doug Sahm Showcase, featuring the former leader of the Sir Douglas Quintet paying homage ...
Clyde McPhatter: Atlantic Masters (Atlantic)
Review by Charlie Gillett, New Musical Express, 10 March 1973
WELL, IS SINGING coming back or not? The signs are, maybe yes. Billy Paul, for instance, and the Chi-Lites, Stylistics, and Detroit Emeralds. ...
Jerry Lee Lewis: London Sessions (Mercury).
Review by Charlie Gillett, New Musical Express, 10 March 1973
IN SOME ways, it hardly matters what this record sounds like. It's the idea that counts. If everything works out more or less to plan, ...
The Coasters: Atlantic Masters (Atlantic).
Review by Charlie Gillett, New Musical Express, 17 March 1973
HOW CRUEL fate is. At the very moment that Jerry Leiber and Mike Stoller are proving themselves to be perfectly tuned in to 1973, with ...
Dr. John: Dr John: In The Right Place
Review by Charlie Gillett, New Musical Express, 24 March 1973
Out of the swamp, into the chart? ...
Joe South: A New, Un-Slick Joe South: A Look Inside
Review by Charlie Gillett, Rolling Stone, 29 March 1973
AT ONE OF Joe Souths infrequent live shows, in some small place in Georgia a year or so back, he wasnt getting the response he ...
Dr. Hook and the Medicine Show: Dr. Hook: Sloppy Seconds
Review by Charlie Gillett, Rolling Stone, 29 March 1973
IF YOU LOOK at the pictures and read the stories, youll have guessed that Dr. Hook is a bunch of lascivious layabouts dedicated to carrying ...
Review by Charlie Gillett, New Musical Express, 31 March 1973
WELL NOW, there's country music, and there's country music. And this here's the second of the two. The first is what you would hear at ...
Chuck Berry and those who influenced him
Essay by Charlie Gillett, Let It Rock, April 1973
ONE THING everybody agrees about: the 'forties was a bad time for music. The big bands of the thirties got sweeter and sweeter before falling ...
Detroit Emeralds: Smooth-Cut Emeralds
Report and Interview by Charlie Gillett, New Musical Express, 7 April 1973
"I DON'T THINK we're what people expect us to be," James Mitchell of the Detroit Emeralds explained after receiving a lukewarm reaction from a music ...
Tammy Wynette, Toni and Terry: Tammy Wynette/Toni & Terry albums
Review by Charlie Gillett, Rolling Stone, 26 April 1973
Toni and Terry: Cross CountryTammy Wynette: My Man ...
Bob Marley & The Wailers: Catch a Fire (Island)
Review by Charlie Gillett, Creem, May 1973
WELL I SUPPOSE it serves you — America — right. For five years some of the best music has been coming out of little studios ...
Diana Ross: Lady Sings The Blues
Review by Charlie Gillett, Let It Rock, May 1973
YOU'LL HAVE READ by now that Elvis had to cancel his 1973 tour of the UK in order to do location shooting in Las Vegas ...
J.J. Cale: J.J.Cale: Really (A&M)
Review by Charlie Gillett, Let It Rock, May 1973
If J.J. Cale were told to climb a mountain, he’d probably ask to be blindfolded and then start walking up backwards. He likes to make ...
Retrospective and Interview by Charlie Gillett, Let It Rock, June 1973
BY THE TIME you read this, Dr. John's 'Right Time, Wrong Place' will probably be in the American Top Ten. Which will be mighty gratifying ...
Review by Charlie Gillett, Rolling Stone, 7 June 1973
THE MORE I listen, the less I understand. A year ago Bloodstone was just one of any number of black groups who could excite a ...
Johnny Nash: My Merry Go Round (CBS)
Review by Charlie Gillett, New Musical Express, 16 June 1973
LISTENING TO this record the first time through is as frustrating as trying to see a beautiful woman through a steamed-up window. But the third ...
Dr. John: The Dr. John Story part II: Los Angeles, The World
Retrospective and Interview by Charlie Gillett, Let It Rock, July 1973
"It's O.K. Mac, you can come out now" ...
Paul Simon: There Goes Rhymin’ Simon
Review by Charlie Gillett, Let It Rock, August 1973
Paul: middle class rock, O.K.? ...
Van Morrison: Hard Nose The Highway
Review by Charlie Gillett, Let It Rock, September 1973
WHAT'S HE BEEN DOING, listening to Brahms? If that title is a riddle that holds the answer, I give in, and the cover doesn't help ...
Jimmy Cliff: Unlimited and Wonderful World, Beautiful People
Review by Charlie Gillett, Rolling Stone, 27 September 1973
PUT THE NEEDLE on Jimmy Cliff's Unlimited, and the grooves writhe like a poised snake, the record grows hot with anger, and the air fills ...
The Rolling Stones: Rolling Stones: Goats Head Soup (RS Records)
Review by Charlie Gillett, Let It Rock, November 1973
THE CONTEST for the title of The Worlds' Greatest Rock 'n' Roll Band is like those dance marathons that were held in the States during ...
I Roy, Toots & The Maytals: The Maytals: From The Roots (Trojan)/I ROY: Presenting... (Trojan)
Review by Charlie Gillett, Let It Rock, November 1973
THIS STUFF IS even harder to understand than Jethro Tull's Passion Play, but nobody's going to stop singing because some dumb reviewer can't work it ...
Review by Charlie Gillett, Rolling Stone, 22 November 1973
Super Dude? It sounds like this year's version of Muddy Waters' 'Hoochie Coochie Man' or Pickett's 'Midnight Mover' but where those men defined love as ...
Dr. John: Dr John: Anytime, Anyplace
Review by Charlie Gillett, New Musical Express, 18 May 1974
Chance discovery yields delightful work ...
Johnnie Allan: The Promised Land …… And How To Get There: Oval Records
Report by Charlie Gillett, New Musical Express, 21 December 1974
Inside looking out; CHARLIE GILLETT, who has started his own record label, Oval Records, reports from the other side of the fence on the processes ...
Charly Records: The Dark Side Of The Sun
Retrospective by Charlie Gillett, Street Life, 17 April 1976
SAM PHILLIPS must be shaking his head in bewilderment that somebody should be issuing his out-takes. ...
Donald Fagen Spins His Favourite Records
Book Excerpt by Charlie Gillett, Capital Radio broadcast, 1982
After the release of The Nightfly, Donald Fagen visited the U.K. to promote it, and one of the few "interviews" he permitted was with Charlie ...
Fats Domino: ‘Fats’ Domino: A Free Ride For The Fat Man
Report by Charlie Gillett, MOJO, March 1995
Antoine Fats Domino is making a killing from a song he had nothing to do with. Charlie Gillett tells the story of a bizarre credit ...
Obituary by Charlie Gillett, MOJO, September 1995
CHARLIE RICH, who died in Memphis on July 25, was the ultimate square peg in a round hole: a jazz pianist promoted as a rock ...
Dire Straits: Dire Straits Revisited
Sleeve notes by Charlie Gillett, Phonogram Records , 1998
FROM THE START, Dire Straits was a classic case of wrong time, wrong place. In the summer of 1977, Britain was ablaze with the aggression ...
Overview by Charlie Gillett, Developments, March 1998
IN 1987, THE owners of several British independent record labels convened a series of meetings in an Islington pub to discuss ways to get their ...
Ian Dury, Kilburn & The High Roads: Ian Dury 1942 - 2000
Obituary by Charlie Gillett, The Observer, 29 March 2000
THE FIRST TIME I saw Ian Dury was at the Tally Ho in Kentish Town in 1972, when he had just started to play in ...
Greil Marcus: Top Spin Service!!
Profile and Interview by Charlie Gillett, Rock's Backpages, 17 November 2000
Charlie Gillett, broadcaster and author of The Sound of the City, regularly invites guests to play radio "ping-pong" on his Saturday night show on London ...
World of Mouth: Mariza and more
Essay by Charlie Gillett, The WOMEX Guide, October 2002
WHEN MARIZA SINGS, time stands still. Every word is sung with intense concentration, every note hit flawlessly. When she pauses for dramatic effect, ...
Afel Bocoum, Oumou Sangare, Tinariwen, Ali Farka Toure: Various Artists: Le Festival au Desert
Review by Charlie Gillett, bbc.co.uk, September 2003
The Best Live Album Ever? ...
Carla Bruni: Quelqu'un m'a dit (V2)
Review by Charlie Gillett, The Observer, 2004
MAYBE YOU KNOW her name. I didn't when I first played songs from this album several times on the radio last year,, until a ...
Youssou N'Dour: Egypt (Nonesuch)
Review by Charlie Gillett, The Observer, 18 July 2004
THIS BEAUTIFUL record is a new album by Youssou N'Dour, but it is not 'the new Youssou N'Dour album'. We have had one of those ...
Review by Charlie Gillett, Observer Music Monthly, 21 December 2004
Ibrahim Sylla is African music's answer to the likes of Berry Gordy. Charlie Gillett pays homage to the man whose influence is felt from Paris ...
Darko Rundek and Cargo Orkestar: Ruke
Review by Charlie Gillett, Observer Music Monthly, Summer 2004
IF ONE DAY I suddenly fall to the ground in two pieces, the cause of my demise will be put down to a lifetime of ...
Salif Keita, Youssou N'Dour: Various Artists: Golden Afrique, Vol 1
Review by Charlie Gillett, Observer Music Monthly, February 2005
MOST OF THESE wonderfully atmospheric, seminal recordings were made in West Africa during the 1970s, a decade when a regime change was happening in recording ...
Review by Charlie Gillett, Observer Music Monthly, April 2005
AT THE TIME of receiving this record, I had never heard of Camille before, and knew only that she is French. The photo on the ...
Various Artists: Balkan Beats (EastBlock)
Review by Charlie Gillett, Observer Music Monthly, July 2005
THIS IS THE ALBUM I needed when I played records at the Big Chill for the first time, two years ago. ...
DeVotchKa: A Mad and Faithful Telling
Review by Charlie Gillett, The Guardian, 16 March 2008
Passion, desperation and a nifty accordion. Charlie Gillett reckons he's found something very special indeed ...
Review by Charlie Gillett, The Observer, 20 April 2008
THERE ARE times, listening to this album, you start to feel guilty – surely, if music sounds this good, it must be bad for you. ...
Various Artists: Nigeria Special: Modern Highlife, Afro-Sounds & Nigerian Blues, 1970-76 (Soundway)
Review by Charlie Gillett, Observer Music Monthly, June 2008
IT WOULD have been difficult to find a way to hear this music in the UK back in the early 1970s – nobody was playing ...
El Mamouni, Rajery, Sissoko: Sissoko, El Mamouni, Rajery: 3MA (Contre Jour)
Review by Charlie Gillett, Observer Music Monthly, August 2008
GIVEN THE CHOICE of listening for the first time to new albums by two unknown artists, one instrumental, the other vocal, I instinctively opt for ...
Review by Charlie Gillett, Observer Music Monthly, 15 February 2009
SO WHY, with more than 50 African countries to choose from, do we keep returning to the music of Mali? Surely there must be other ...
Fat Freddy's Drop: Boondigga & the Big BW
Review by Charlie Gillett, The Guardian, 4 October 2009
WARNING: of the nine tracks here, only two run for less than six minutes, and both of them stretch way past five. You had better ...
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