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9 articles found. Page 1 of 1.
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Jerry Lee Lewis: Echoes: Jerry Lee Lewis
Retrospective by Bill Millar, Record Mirror, 11 March 1972
ON 22nd MAY 1958, an immigration officer manning the desk for TWA flights from New York to London Airport North scratched his head, sighed, picked ...
Retrospective by Bill Millar, New Kommotion, 1977
HE DIDN'T LOOK like one of rock 'n' roll's crucial stars. Small, wiry, nervous even. The spotty face on the cover of his first album ...
Clyde McPhatter, The Drifters: Clyde McPhatter
Retrospective by Bill Millar, The History of Rock, 1981
PERHAPS THE MOST INNOVATIVE OF ALL R&B singers, Clyde McPhatter brought a new and radical sound to popular music by singing with a spirit and ...
Retrospective by Bill Millar, The History of Rock, 1981
AS ROCK'N'ROLL GROUPS PROLIFERATED, the age at which they turned professional took a nosedive. With names such as the Classmates, the Juniors or the Sixteens, ...
Retrospective by Bill Millar, The History of Rock, 1982
White vocal groups of the Fifties embraced a variety of styles and sounds, ranging from adult pop groups (the Ames Brothers, the Four Aces, the ...
Little Willie John: The Turbulent Career Of Little Willie John
Retrospective by Bill Millar, The History of Rock, 1982
Little Willie John brought soul to blues balladry and helped to change the whole direction of black popular music. Born William Edward John in Camden, ...
Mary Wells: Teenage Chart-Topper With Motown Style
Retrospective by Bill Millar, The History of Rock, 1982
Mary Wells helped create the history that surrounds the Motown sound. She was their third chart-topper and the first to achieve international acclaim. But despite ...
Retrospective by Bill Millar, The History of Rock, 1982
TEX-MEX, A PHRASE commonly used to describe the rocknroll of such artists as Buddy Holly and Buddy Knox, has nothing whatever to do with Mexican ...
Retrospective by Bill Millar, unpublished, March 2000
"WHY NOT BE at London Airport to welcome Jay?" That was the invitation in the late Roger Eagle’s R & B Scene. And so, on ...
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