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Report by Norman Jopling, Record Mirror, 20 January 1968
THE FIRST of the Tamla Motown groups, Smokey Robinson and the Miracles, have finally made it big in the British charts with their runaway transatlantic ...
Beatles, The: Beatles Heat Flares in Court
Report by uncredited writer, Billboard, 25 January 1964
CHICAGO — The Beatles, the nation's hottest recording property today, are becoming the object of the nation's hottest lawsuits, at least as far as the ...
Eddie Holland Is 300% Happier Now
Interview by Loraine Alterman, Rolling Stone, 2 April 1970
DETROIT — Edward Holland learned a lot at Motown besides how to make hit records. Edward Holland learned the art of the controlled interview, an ...
Band of Susans, Big Black, Butthole Surfers, Sonic Youth: Sonic Youth and the Blast First axis
Retrospective by David Stubbs, The Wire, February 2013
A previously unpublished essay by David Stubbs, on Paul Smith's Blast First label and Thurston Moore and Kim Gordon's Sonic Youth. ...
Interview by Mike Gormley, Detroit Free Press, 8 February 1970
Yes, Holland-Dozier-Holland DID Split with the Giant; Yes, Eddie Holland DID form Invictus Records; Yes, Invictus IS Climbing the Charts ...
Schoolly D, Three Wise Men, The, Cookie Crew: Rhythm King Records: Hit Me With Your Rhythm Kings
Profile and Interview by James Brown, Sounds, 24 January 1987
Somehow, somewhere James Brown became a fast-chat, no-flab funker. And he did it with the help of Rhythm King, Britain's leading dance indie label. Since ...
Afrika Bambaataa, Force MD's: Tommy Boy and Afrika Bambaataa: Afrika and White
Interview by Mick Sinclair, Sounds, 17 April 1984
ALONG WITH the equally outstanding 'The Message', 'Planet Rock' sprang hip hop into being something of more force and substance than was made evident by ...
Satin Peaches, The: The Satin Peaches: Fuzzy and sweet
Interview by Bill Holdship, Detroit Metro Times, 25 March 2009
"THESE DETROIT-BRED cuties are so goddamned good … Think '60s Brit-pop with bluesy piano strut and raggedy garage-rock thrown in for good measure. [The song] ...
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