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Report by Keith Altham, New Musical Express, 24 June 1967
WE DROVE to London Airport in Animal manager Mike Jeffery's Rolls-Royce while he dictated a few last minute instructions to assistant Tony Garland — "Ring ...
Report by Richard Goldstein, The Village Voice, 29 June 1967
"The West is the best: Get here and we'll do the rest!" — The Doors ...
John Mayall & the Bluesbreakers: John Mayall: Briton Perks Up Moribund Blues
Interview by Pete Johnson, Los Angeles Times, April 1968
THE BLUES, that ugly stepsister of rock music, has finally become a commercial force in pop. Groups such as Canned Heat, the Paul Butterfield Band, ...
Interview by Val Wilmer, Downbeat, 4 April 1968
THERE'S NO experience that compares to the first time the blues get to you. The hairs on your neck stand up and an uncanny churning ...
Live Review by Roy Carr, New Musical Express, 25 July 1970
NOT ONLY were there some incredible scenes going on inside the Marquee on Tuesday when the Taste completely shattered the all-time box office record held ...
Don "Sugarcane" Harris: Sugarcane Harris
Guide by Charlie Gillett, Fusion, February 1973
An appreciation in the form of a letter from Charlie Gillett to — I.C. Lotz c/o The Mad Peck Flash Burn Funnies Fusion 909 Beacon St. Boston, Mass. 02215 ...
Albert King an' where he's comin' from
Interview by David Nathan, Blues & Soul, 10 August 1976
Been stood up by your girl? Low on cash? Behind with your payments? Then you must know the blues. They'll be around as long as ...
Muddy Waters 1915-1983 — Let's Say He Was A Gentleman
Obituary by Dave Marsh, Record, July 1983
IT IS ALL but impossible to concisely summarize Muddy Waters' achievements, much less get a handle on mourning him. If Muddy were merely the first ...
Stevie Ray Vaughan and Double Trouble: Texas Flood (Epic BFE 3S734)
Review by Don Waller, Los Angeles Times, 10 July 1983
ELECTRIC STORM ...
Stevie Ray Vaughan & Double Trouble: Texas Flood (Epic AL 38734)
Review by Mitchell Cohen, High Fidelity, August 1983
STEVIE RAY Vaughan's guitar playing is designed to elicit gasps: Every cluster of notes is an invitation to amazement. This multiple-climax approach could easily prove ...
Stevie Ray Vaughan: Backbeat: Stevie Ray Vaughan
Interview by Steven X Rea, High Fidelity, August 1983
His first album is just hitting the streets, but Vaughan and his blues guitar are already well-known among rock's elite. ...
Stevie Ray Vaughan & Double Trouble: Palace Theatre, Los Angeles CA
Live Review by Don Waller, Los Angeles Times, 24 August 1983
A TOWERING DISPLAY OF BLUESICIANSHIP ...
Little Richard (1985) [transcript]
Audio transcript of interview by Barney Hoskyns, Rock's Backpages transcripts, 5 March 1985
This is a transcript of Barney's audio interview with Little Richard. Listen to the audio of this interview. ...
Interview by Gene Santoro, Downbeat, April 1985
FROM THE beginning, the real "news" about rock & roll has been the way it's ransacked, revitalized, and rearranged the musical styles that gave birth ...
Jimi Hendrix, Curtis Knight: Jimi Hendrix: Curtis Knight's Encounter With The Divine Light
Interview by Gene Santoro, Guitar World, September 1985
As told to Gene Santoro ...
Johnny Adams, Earl King: Earl King, Johnny Adams: Nugget Club, Long Beach CA
Live Review by Don Waller, Los Angeles Times, 3 March 1986
KING: ORIGINAL LICKS ...
Stevie Ray Vaughan: Hammersmith Palais, London
Live Review by Richard Williams, The Times, 4 October 1986
A COUPLE OF minutes before the lights came on were almost worth the price of admission. Already steaming with the sweat of an audience that ...
Hank Ballard and the Midnighters: Hank Ballard: The Original Twister
Interview by Roger St. Pierre, Blues & Soul, 20 January 1987
B&S TALKS TO ONE OF THE TRUE UNSUNG HEROES ...
Overview by John Morthland, High Fidelity, August 1987
The rehabilitation of the accordion: American pop's got a squeeze-box. ...
Interview by Pippa Lang, What Hi-Fi?, September 1989
Don't go to record company parties or mix with producers to catch a glimpse of Robert Cray. As he tells Pippa Lang, making music is ...
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