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Live Review by Philip Elwood, The San Francisco Examiner, 20 September 1969
Sound Troubles: Monterey Opens Weirdly ...
Chick Corea, Return to Forever: Chick Corea: Return To Forever (ECM)
Review by Ed Jones, Cracker, February 1974
WITH THE demise of the Mahavishnu Orchestra, other record companies are looking for their own spacey, super-excellent, speedy-riffing jazz-rock group to grab some of the ...
Brecker Brothers, The: Brecker Brothers: The Studio And Its Discontents
Interview by Steve Bloom, Downbeat, 21 June 1979
It would be nice if we're going to do this to say some shit. I don't know what, but I'd really like for once to ...
Defunkt, James White and The Blacks: Defunkt: Jazz-Punk-Funk
Interview by Steve Bloom, Downbeat, June 1981
THE PURPLE tights and checkered t-shirt crowd knows for sure. They meet to the beat every night in sundry rock clubs, discharging a generationful of ...
Interview by Tony Scherman, Musician, May 1992
The bedroom secrets of a drummer's hands ...
Gary Lucas: Invisible Jukebox: Gary Lucas
Interview by Mike Barnes, The Wire, February 2001
Every month we play a musician a series of records which they're asked to identify and comment on — with no prior knowledge of what ...
Bad Plus, The: The Bad Plus: Artfully drawn characters
Interview by Geoffrey Himes, Downbeat, January 2013
The Bad Plus is often described as a jazz-rock trio, but their recent studio album, Made Possible (eOne), is the first to use electric instruments. ...
Essay by John Lewis, The Guardian, 6 October 2016
A generation of jazz musicians has grown up with hip-hop in its blood. The result is the thrilling reinvention of a genre that has been ...
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