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9 articles found. Page 1 of 1.
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Moe Tucker: One Woman Named Moe
Interview by Phil Sutcliffe, Q, February 1992
FORMER Velvet Underground drummer Moe Tuckers life seems to have involved two passionate commitments: to music and motherhood. Her reminiscences, though, often come round to ...
Jools Holland’s Rhythm And Blues Orchestra: Exeter University, October 8, 1998
Review and Interview by Phil Sutcliffe, Q, November 1998
At 3pm Jools Holland skis down the clouds above Exeter airport in the co-pilots seat of a chartered four-seater. Thumb aloft he leers over his ...
Interview by Phil Sutcliffe, Q, February 1995
She worked with Michael Jackson, Rod Stewart and Don Henley. Now she's feted by Bob Dylan, Neil Young and the Stones. And in time-honoured fashion, ...
New Model Army: Join The Professionals: New Model Army
Interview by Phil Sutcliffe, Q, May 1989
There are few more devoted disciples than the followers of New Model Army. For many it's a full-time job hitchhiking to every concert, home ...
Rough Trade Records: Life After Debt?
Report by Phil Sutcliffe, Q, August 1991
On May 31, Rough Trade was pronounced dead. Thus ended a 15-year indie dynasty run by "brown ricers" — with a £40 million turnover. But ...
Acid House: The Selling Of Smiley Culture
Report by Phil Sutcliffe, Q, January 1989
Like punk before it, acid house was a cult fanned by the media into a mass market industry. Major labels latched on to the music, ...
The Notting Hillbillies: For a Few Dollars Less
Interview by Phil Sutcliffe, Q, March 1990
Knackered by the stadium circuit and in urgent need of spiritual rejuvenation, Mark Knopfler played a pub gig back in 86 with two fellow fingerpicking ...
Yes: Anderson, Bruford, Wakeman & Howe: Mission Improbable
Interview by Phil Sutcliffe, Q, November 1989
Theyve survived countless changes of fashion, years of critical contempt, musical and personal differences de luxe. For legal reasons they cant even call themselves Yes. ...
Interview by Phil Sutcliffe, Q, March 1991
Mostly victorious, the reign of Queen has seen two decades of pomp and bombast, outsized gestures and theatrical flamboyance. But, as Phil Sutcliffe discovers, even ...
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