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Charles Mingus: Charlie Mingus: April 22, 1922 — Jan 5, 1979
Obituary by Roy Carr, New Musical Express, 20 January 1979
SOME TIME back a 'friend' borrowed a large number of my jazz albums — and sold them. All I can say is that the rip-off ...
Gwyneth Herbert: From bistro waitress to jazz festival star
Report and Interview by Tim Cooper, The Evening Standard, 13 July 2004
Pub gigs pay off as "Britain's Norah Jones" is chosen to open concert ...
Live Review by Philip Elwood, The San Francisco Examiner, 20 September 1969
Sound Troubles: Monterey Opens Weirdly ...
Charles Mingus, Joni Mitchell: Charles Mingus, Jazz Pioneer, Dead
Obituary by Wayne Robins, Newsday, 9 January 1979
CHARLES MINGUS, the innovative jazz composer, band leader and bassist, died Friday night in Cuernavaca, Mexico. He was 56. ...
Frank Sinatra: She Shot Me Down (Reprise)
Review by Jeffrey Morgan, Creem, April 1982
IF, AS THE THEORY GOES, there's a little bit of Van Halen in everyone come Saturday night, then you can safely bet your last dollar ...
George Russell: The Complete Remastered Recordings On Black Saint & Soul Note
Review by Rob Young, The Wire, May 2011
THE LYDIAN Chromatic Concept of Tonal Organisation is seldom invoked these days, but jazz composer George Russell's theoretical attempt to lift jazz up and away ...
Herb Alpert: It's long way to Tijuana
Interview by Paul Sexton, The Times, 10 July 1996
POP MUSIC. The mid-1960s. The era when Britannia apparently ruled the airwaves. Yet consider the American album chart of 30 years ago this week. The ...
Charles Mingus, Erik Mingus: Eric Mingus: The big brand
Interview by Adam Sweeting, The Guardian, 4 July 2002
There's the Mingus Big Band, the Mingus Orchestra... and then there's Eric Mingus. He talks to Adam Sweeting about life in a jazz dynasty ...
Wynton Marsalis: Shock of the New
Profile and Interview by John Lewis, The Guardian, 2 March 2007
Wynton Marsalis almost explodes with rage when he talks about hip-hop. So why has the jazz stalwart recorded a track on which he breaks into ...
Joe Sample: Classic Invitation
Interview by Jeff Lorez, Blues & Soul, 25 May 1993
Joe's new Invitation album of standards provides him with the musical therapy he felt he badly needed and gave him the chance to "move on"... ...
Nina Simone: Always Searching for a Key
Obituary by Ian Penman, The Wire, June 2003
The realisation that she was black in a country run by whites, a woman in a world run by men, turned Nina Simone into the ...
Dexter Gordon: The Exile's Return
Interview by Brian Case, New Musical Express, 27 May 1978
Fashion and fate have dealt a few blows — but now DEXTER GORDON is cutting in, recapturing America and standing CBS on its head. The ...
Report by Brian Case, New Musical Express, August 1976
Simple. SUN RA knew that one way back. Every musician on the planet just gotta play a C7th — all at the same time. While ...
George Benson: Kingsize Benson
Profile and Interview by Richard Cook, NME, 16 July 1983
So just how did this work a day guitarist called GEORGE BENSON sidestep the critical vitriol of the jazz and soul purists to become one ...
Interview by Mike Barnes, The Wire, July 1998
Every month we play a musician a series of records which they're asked to identify and comment on — with no prior knowledge of what ...
The Crusaders: It's A Street Life In The Crusaders
Profile and Interview by Max Bell, NME, 22 September 1979
IT'S THE MID-1950s in Houston, Texas, east of Galveston Bay and west of the River Colorado, and some of the local folks are having themselves ...
Tony Williams Reinvents Himself
Interview by Tony Scherman, Musician, June 1991
Can't stop worrying, can't stop growing. The world's best drummer turns to composing. ...
Gary Lucas: Invisible Jukebox: Gary Lucas
Interview by Mike Barnes, The Wire, February 2001
Every month we play a musician a series of records which they're asked to identify and comment on — with no prior knowledge of what ...
Jimmy Witherspoon: 'Ain't Nobody's Business': The No Rollin' Blues of Jimmy Witherspoon
Retrospective and Interview by Steve Roeser, Goldmine, 24 May 1996
"I'D RATHER open up a show than to close it," Jimmy Witherspoon said emphatically. "'Cause I know whoever follows me is gonna have to sing." ...
Ornette Coleman: On Human Feeling
Interview by Vivien Goldman, New Musical Express, 10 July 1982
Ornette Coleman's harmolodics brought about the musical change of the century. After his New York comeback last year, the legendary tenor man talked to Vivien ...
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