Town Hall Train Wreck
Gene Santoro, Village Voice, The, 6 June 2000
IN MID-1962, Charles Mingus made a deal with United Artists. He wanted to lead a big band, but he wanted to record it live, before an audience. That would take his Workshop shows, those exploratory onstage rehearsals that mixed open-ended materials and personalities unpredictably, one step further. People could see a recorded document being made in real time.
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