Cultural studies and theory
35 articles
The Beatles, Cliff Richard, The Rolling Stones: Pop Music Democratised
Essay by Geoffrey Cannon, New Society, 3 December 1964
Author's note, 2018: Here is my late 1964 insight on the transformation of British pop into rock which can be dated to 21 February 1963 ...
Chuck Berry, Ray Charles, Billie Holiday, The Rolling Stones: From Pop Singers To Rock Bands
Essay by Geoffrey Cannon, unpublished, 1965
Update, March 2019: I KNOW exactly when I wrote the piece below, where I was, and why I withdrew it from publication. It was January ...
Essay by Geoffrey Cannon, Guardian, The, 3 December 1968
2019: Thoughts after half a century. The piece below written as rock as a genre and a concept was emerging stands up quite well. As ...
Essay by Richard Cromelin, UCLA Daily Bruin, 29 January 1969
IT'S GETTING toward the end. It's building and building and building. The intensity he is projecting is communicated to the whole crowd. He is not ...
Canned Heat, Muddy Waters, Johnny Winter: The Blues
Essay by Miller Francis Jr., Great Speckled Bird, The, 16 June 1969
"All new technologies bring on the cultural blues, just as the old ones evoke phantom pain after they have disappeared." — Marshall McLuhan, War and ...
Book Review by Greg Shaw, Who Put The Bomp!, October 1970
WITH THIS book, the study of rock & roll reaches a level of sophistication matching that of blues and jazz research. The day is gone ...
Alan Lomax: Making a Science of Man's Music
Profile and Interview by Geoffrey Cannon, Los Angeles Times, 23 January 1972
Alan Lomax, the man who went into the fields of the southern states in the 1930s and brought the glory of the blues to the attention ...
T. Rex: Letter from Britain: Life's a Gas, I Hope It's Gonna Last — Notes On T. Rex
Essay by Simon Frith, Creem, July 1972
ZONK. THIS column is going to be about how things look in and from England. More to the point it's going to be about how ...
The Beatles, Bob Marley & the Wailers: Is Natty Dread better than Sgt. Pepper?
Essay by Idris Walters, Sounds, 24 May 1975
It doesn't matter, says IDRIS WALTERS. Rock's big enough, and the WAILERS are making waves... ...
Simon Frith: The Sociology Of Rock (Constable. £7.50; paperback, £3.50)
Book Review by Michael Watts, Melody Maker, 28 October 1978
FUN OR PROFIT? ...
Red Crayola: "...THE IDEOLOGICAL FEATURES OF ANY WORK AS A FUNCTION OF CONSUMER RELATIONS...
Interview by Andy Gill, New Musical Express, 21 July 1979
...AS OPPOSED TO DEMOCRATIC ORGANISATIONAL IMPERATIVES; SECTIONAL MILITANCY AS OPPOSED TO PRIVATISED MILITANCY, OF WHICH YOU FIND A GREAT DEAL IN POP MUSIC — THE CRITICAL ...
Brian Eno, Talking Heads: Brian Eno: Energy Fails The Magician
Interview by Richard Williams, Melody Maker, 12 January 1980
After spending the last decade redefining rock music, all Brian Eno wants now is an honest job of work and a place to lay his ...
Book Review by Robot A. Hull, Creem, May 1981
Less Is More? ...
Essay by Ian Penman, New Musical Express, 19 December 1981
Overdressed twits taking Polaroids of one another in posey little clubs? Or the stern soapbox caterwauling of commentators who got themselves into a blue funk about everyone else's ...
Sound Effects: Youth, Leisure, And The Politics Of Rock'n'roll by Simon Frith (Pantheon)
Book Review by Toby Goldstein, Creem, June 1982
Pithy Frith Froth Follows Forth ...
Wanted: a Rock Valhalla for the Golden Oldies
Comment by Mick Brown, Guardian, The, 4 August 1983
Up and down the country sweet little sixteens have just about half a million signed autographs. In fact, all the best rock 'n' roll memorabilia ...
Overview by Jon Savage, i-D, February 1986
Jon Savage is one of the arch voices of our time, a blithe spirit with a vicious tongue and a wicked pen: dedicated, deadly and ...
Pop Journalism: Write of Wrong?
Overview by Frank Owen, Melody Maker, 24 May 1986
Is it pop we're disillusioned with, or pop journalism? Is Paul Morley the curse or the saviour of the scribbling classes? Frank Owen takes a ...
Essay by Simon Reynolds, Melody Maker, 19 July 1986
Simon Reynolds ventures down hip hop's mean streets and finds something nasty lurking in the shadows — something that guilt-ridden white liberals might prefer to ...
Special Feature by Simon Reynolds, David Stubbs, Melody Maker, 20 June 1987
B-BOYS, Yo-Boys, listen up good, cos a new sound's rappin' up the neighbourhood! Yo, it's the Maker's very own rappin' post-structuralist, the chin-scratchin' semiotician about to ...
Cleveland Affirms Rock Hall of Fame Deal
Report by Michael Goldberg, Rolling Stone, 10 August 1989
City must raise funds by mid-November ...
Tracy Chapman, Jimi Hendrix, Living Colour, Prince, Dan Reed Network: Black Rock
Essay by David Toop, Face, The, July 1990
White Rock we know about, but why should the idea of Black Rock be so difficult to comprehend? When Prince says his current tour is rock'n'roll based, he ...
Essay by Nick Tosches, Spin, August 1990
NOW THAT the 1980s, whatever the fuck they were, are, like the great Liberace himself, dead and gone, can't we get this whole dumb business ...
Interview by Mark Dery, Mondo 2000, 1991
GLENN BRANCA and Elliott Sharp philosophize with a hammer. And an anvil. And a stirrup. The two New York composers take Friedrich Nietzsche, who subtitled ...
Jingo! World Music at Fairfield
Comment by Brian Torff, Fairfield Now, Summer 1997
IN WESTERN POP culture, we often see music as a product that is heavily advertised through the media, and presented in a buy and sell ...
Janis Ian, Stan Ridgway: Songwriting: Sex and Memory
Interview by Paul Zollo, Musician, April 1999
Janis Ian and Stan Ridgway discuss the changing role of gender in modern lyrics. ...
Retrospective by Edwin Pouncey, Wire, The, July 1999
In the latest in our series uncovering the hidden wiring of 20th century music, Edwin Pouncey shows how rock 'n' roll's face was changed forever ...
Morrissey: Mark Simpson: Saint Morrissey
Book Review by Simon Price, Independent on Sunday, 16 November 2003
Former World's Biggest Smiths Fan Simon Price checks his credentials against a passionately provocative analysis of Morrissey's art. ...
The Smiths: So tell me, what was that all about? A Smiths Symposium
Report by Caitlin Moran, Times, The, 29 March 2005
THE VIDEO for the Smiths' 1987 single 'I Started Something I Couldn't Finish' shows hundreds of faux-Morrisseys descending on the streets of Manchester — cardigans frayed, quiffs ...
Cheryl Cole: Twist and pout: Cheryl Cole's new album cover
Essay by Laura Barton, Guardian, The, 19 November 2009
If the pose seems vaguely familiar, it may be that side-on, over-the-shoulder look. Laura Barton has certainly seen it somewhere before. ...
From Mod to Emo: Why Pop Tribes Are Still Making a Scene
Overview by Jude Rogers, Guardian, The, 25 February 2010
Like-minded music fans have been herding together for half a century — but are die-hard pop tribes now a thing of the past? Do today's ...
Lady Gaga: Aladdin Sane Called, He Wants His Lightning Bolt Back: On Lady Gaga
Essay by Mark Dery, True/Slant, 20 April 2010
"HOW NOT DUMB is Gaga?" asked the New Yorker music critic Sasha Frere-Jones, in the first flush of Gagamania. Almost exactly a year later, his ...
Essay by Steve Redhead, Rock's Backpages, September 2011
POP HISTORY seemed, for some commentators at least, to have stopped sometime in the late 1980s. This was the 'postmodern' moment for many critics and ...
Peace: Tiny, Smug and Blissfully Ignorant Minds: New British Indie and Peace's In Love (Columbia)
Special Feature by Neil Kulkarni, fuckyouneilkulkarni.blogspot.co.uk, 30 April 2013
"I. Man's perceptions are not bound by organs of perception; he perceives more than sense (tho' ever so acute) can discover." — William Blake, ...
Wreath Lecture: Braying Crowds & The Accidental Death of Quiet Music
Comment by David Bennun, Quietus, The, 12 December 2013
2013 was the year when crowds talking loudly at gigs became a universal aggravation, writes David Bennun. He asks why this is the case, and ...
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