Paste
Paste magazine, published in Avondale Estates, Georgia, was founded as a quarterly music and entertainment magazine in July 2002, moving to a monthly magazine with its August 2006 issue. It ceased publication in August 2010. A digital edition, pastemagazine.com, continues.
178 articles
List of articles in the library
Solomon Burke: Don't Give Up On Me
Review by j. poet, Paste, 7 January 2003
WHEN CRITICS began raving about Burke's comeback album, more than a few fools in the crowd asked "Solomon who?" ...
Report and Interview by j. poet, Paste, 15 June 2003
"I'M NOT A militant female songwriter, and I wouldn't want to be considered some kind of new age uber-feminist," Rosanne Cash says. "But having said that, ...
The Libertines: Libertines Rock The Cotton Club, Atlanta
Live Review by Steve LaBate, Paste, 19 August 2003
AMIDST RUMORS of drug addiction and rehab, Libertines' singer-guitarist Pete Doherty has been out of commission for the past few weeks, skipping the band's European ...
Review by j. poet, Paste, 1 October 2003
JOAN BAEZ hasn't written a song in 10 years, but she maintains an unerring instinct for choosing good material. ...
John Mayer: Growing Up In Public
Report and Interview by Bud Scoppa, Paste, 1 December 2003
"WHEN I FIRST FINISHED the record, I thought, 'I can't talk about this. It's like fishing through your own poop,'" says John Mayer, fresh from ...
Howlin' Wolf: The Howlin' Wolf Story
Film/DVD/TV Review by j. poet, Paste, 23 January 2004
THE DEBATE ABOUT precisely when the blues became rock'n'roll will go on forever, but the footage of The Howlin' Wolf Story makes a good case ...
Alicia Keys: The Diary of Alicia Keys
Review by Steve LaBate, Paste, 1 February 2004
AT THE TOP OF THE POP WORLD these days, it’s hard enough to find an artist who can sing well without the aid of ProTools. ...
Beth Gibbons & Rustin Man: Out of Season
Review by Bud Scoppa, Paste, 1 February 2004
AS THE VOCAL instrument of Portishead, Beth Gibbons was the centerpiece of 1994's Dummy, a trip-hop landmark and one of the great albums of the ...
Review by Steve LaBate, Paste, 1 February 2004
BEFORE HER AMICABLE SPLIT with Belle & Sebastian in 2002, cellist-vocalist Isobel Campbell recorded two albums with her side project, The Gentle Waves. Amorino, her ...
Review by Bud Scoppa, Paste, 1 February 2004
I'M STILL TRYING TO FIGURE OUT how many listens it'll take for Travis' fourth LP to kick in. The elements that made 1999's The Man ...
The Beach Boys: Ocean Way: The studio that shaped the Beach Boys' Pet Sounds
Retrospective by Steve LaBate, Bud Scoppa, Paste, June 2004
This is the first piece included in a longer feature for Paste June/July 2004. ...
Jackson Browne: A Once and Future Fan's Notes
Retrospective by Bud Scoppa, Paste, 1 June 2004
ON THE OCCASION of Jackson Browne's 2004 induction into the Rock and Roll Hall of Fame, Rhino Records has assembled The Very Best of Jackson ...
Los Lobos: 30 Years of Eclectic Rock
Review and Interview by Bud Scoppa, Paste, 1 June 2004
IN AN OLD BRICK BUILDING on the gritty end of Sunset Boulevard, the five members of Los Lobos are nearing the end of a day ...
Review by Steve LaBate, Paste, 1 June 2004
SO HOW DO YOU follow the dense, experimental, critically worshipped Yankee Hotel Foxtrot? The latest version of Wilco answers with an overwhelming, at times postmodern ...
Review by Steve LaBate, Paste, 2 July 2004
THIS LATEST PHISHING TRIP begins as you'd expect a Tchad Blake-produced record would — in a fog of creepy, bone rattling Waits-ian gothic rambling, pinging ...
Drive-By Truckers: The Rise, Fall and Redemption of the Redneck Warrior Poets of Rock 'n' Roll
Profile and Interview by Steve LaBate, Paste, 1 August 2004
TEN, NINE... This is a story about rock 'n' roll. ...
Juliana Hatfield: In Exile Deo
Review by Bud Scoppa, Paste, 1 August 2004
ON HER PREVIOUS half-dozen albums, Boston-based Juliana Hatfield has clearly defined her sexy-waif persona through a steady stream of confessional songs filled with vulnerability, uncertainty ...
Secret Machines: Now Here is Nowhere
Review by Bud Scoppa, Paste, 1 August 2004
THESE JITTERY times have resulted in a new genre — let's call it "dread rock." Prime examples include Wilco's celebrated Yankee Hotel Foxtrot and the ...
Michael Franti: Various Artists: Reggae on the River
Film/DVD/TV Review by j. poet, Paste, October 2004
TWENTY YEARS AGO, the residents of Piercy, Calif., held a benefit concert to rebuild a community centre torched by a local arsonist. ...
Review by Bud Scoppa, Paste, 1 December 2004
THE FIRST CUT on Robyn Hitchcock's new album deals with a guy stuck in a dysfunctional relationship with his TV set; it's precisely the sort ...
Report and Interview by j. poet, Paste, 1 December 2004
AT THE BEGINNING of every autumn, the local music community in Martha's Vineyard comes alive. That's when the vacationers leave and the working-class folks who ...
Review by j. poet, Paste, 18 January 2005
CERTAIN TRACKS on Beat Cafe sound like they could be outtakes from Donovan's 1967 album Mellow Yellow, but I'll let you decide if that's a ...
Review by Steve LaBate, Paste, 1 February 2005
DARK, WITTY, LONELY, BRILLIANT, TRAGIC — Mark Sandman was all these things. Fronting legendary Boston band Morphine, he realized his unique vision, creating a style ...
Interview by Barney Hoskyns, Paste, April 2005
JIMI GOODWIN, the affable and bearded bassist-singer with Mancunian trio Doves, leans forward in his seat for an endearing moment of honesty. ...
Solomon Burke: Make Do With What You Got
Review by Steve LaBate, Paste, 1 April 2005
WHEN LEGENDARY ARTISTS like B.B. King or James Brown grow old and start resting on their laurels, it's easy to forgive them. After all, they've ...
Review and Interview by Bud Scoppa, Paste, 1 April 2005
LET'S GET THIS STRAIGHT from the beginning: I am mad about this band — have been ever since someone (can't remember who but thanks a ...
Review by Bud Scoppa, Paste, 1 June 2005
COLDPLAY GRADUATED from "intriguing" to "important" with 2002's A Rush of Blood to the Head, a musically and thematically bold statement as fully realized as ...
Mofro: The Pageant, St. Louis, Mo.
Live Review by Kandia Crazy Horse, Paste, 18 June 2005
PERHAPS THE RED, white and blue spotlights at St. Louis's Pageant should've served as trickster clues. Or the snide remark of a toasted, aging frat ...
Meshell Ndegeocello: Me'Shell Ndegeocello: The Spirit Music Jamia: Dance of the Infidel
Review by Mark Kemp, Paste, 1 August 2005
WITH THE EXCEPTION OF BECK, no popular artist since Prince has jumped so freely from one genre to the next on each successive album. What ...
Shakira: Fijación Oral, Vol. 1 (Epic)
Review by Mark Kemp, Paste, 23 August 2005
Beyond the Belly: Colombian songstress trumps lazy stereotypes with raw talent ...
Ryan Adams & The Cardinals: Jacksonville City Nights
Review by Mark Kemp, Paste, 27 September 2005
RYAN ADAMS got his PhD in bad behavior from decrepit old Rock 'n' Roll University, where he studied all the greats: Keith Richards, Bob Dylan, ...
Solomon Burke, Joe Henry, Bettye LaVette, Allen Toussaint: Joe Henry
Interview by Bud Scoppa, Paste, 10 January 2006
BEFORE PRODUCING Solomon Burke's modern-day soul landmark, Don't Give Up On Me, in 2002, Joe Henry was a modest-selling "critic's darling" with a reputation for ...
Drive-By Truckers: A Blessing and a Curse
Review by Mark Kemp, Paste, 12 April 2006
PATTERSON HOOD SUMS UP Drive-By Truckers' new album, A Blessing and a Curse, in one line of the closing track: "To love is to feel ...
Lindsey Buckingham Peels It Down to the Essentials
Review and Interview by Bud Scoppa, Paste, 15 November 2006
LINDSEY BUCKINGHAM'S LIFE has changed dramatically since the release of his last solo album, Out of the Cradle, in 1992. First, he returned to Fleetwood ...
Review by Mark Kemp, Paste, 12 December 2006
SOPHOMORE SLUMP? What sophomore slump? On the follow-up to Get Lifted, the Grammy-winning multi-platinum debut from John Legend, the one-time session man chucks the simple ...
Lucinda Williams: Car Wheels on a Gravel Road (Deluxe Edition)
Review by Mark Kemp, Paste, 1 February 2007
The story of Car Wheels on a Gravel Road is long and winding. ...
Brandi Carlile — A Brandi and two chasers: Spiritual siblings perfect their balancing act
Report and Interview by Bud Scoppa, Paste, 4 April 2007
AFTER A MID-AFTERNOON ACOUSTIC MINI SET, Brandi Carlile and twin brothers Tim and Phil Hanseroth jump down off the cramped stage at one end of ...
Review by Mark Kemp, Paste, 8 May 2007
ONE DAY in the late 1990s, not long after his sublime performance of 'Miss Misery' in between the bombast of Celine Dion and bravado of ...
Review by Mark Kemp, Paste, 3 July 2007
WHEN MADONNA OR DAVID BOWIE enlists the latest production gurus to spice up their music, the results frequently come off sounding desperate, as if the ...
Review by Mark Kemp, Paste, 11 September 2007
FOUR SONGS into La Radiolina, an onslaught of beefy, staccato guitar chords chop like butcher knives into a mix of vertigo-inducing electronics and air-raid sirens. ...
Retrospective by Mark Kemp, Paste, October 2007
ONE OF THE MORE telling songs in John Lennon's solo catalog is the tender 'Look at Me.' Not the well-scrubbed version on his first album, ...
Bettye Lavette: Late Bloomer Gets Her Mojo On
Report and Interview by Bud Scoppa, Paste, 31 October 2007
AFTER ATLANTIC RECORDS shelved what singer Bettye LaVette had hoped would be her breakthrough album in 1972 — an album recorded in soul-music hotbed Muscle ...
Retrospective by Mark Kemp, Paste, 8 November 2007
Original debut and outtakes cast Boston rockers as America's lost Stones ...
Review by Bud Scoppa, Paste, 3 December 2007
THE THRILLS' SAGA is a familiar one: band makes impressive debut album, gets showered with kisses from fans and critics alike, falls victim to the ...
The Breeders: Mountain Battles
Review by Mark Kemp, Paste, 31 March 2008
The Deal sisters stumble back into the sunshine for another winning set of delicate heartbreakers. Four songs into Mountain Battles, Breeders singer/guitarist Kim Deal announces ...
Johnny Cash: Johnny Cash at Folsom Prison (Legacy Edition)
Review by Mark Kemp, Paste, October 2008
IN THE DOCUMENTARY included with this new edition of Johnny Cash at Folsom Prison, daughter Rosanne shatters the mythology surrounding her dad, gently bringing him ...
Ryan Adams & The Cardinals: Cardinology
Review by Steve LaBate, Paste, 28 October 2008
I'VE NEVER UNDERSTOOD the fuss over Ryan Adams' prolificacy. Each of his nine previous albums has its own distinct identity, from his 2000 solo debut ...
Ike & Tina Turner: Sing The Blues
Review by Steve LaBate, Paste, 4 December 2008
Embattled husband-and-wife duo's last independent-label recordings ...
Radiohead: Pablo Honey, The Bends, OK Computer (reissues)
Retrospective by Mark Kemp, Paste, 27 March 2009
WHILE THE BRITISH PRESS argued over whether Oasis' Definitely Maybe or Blur's Parklife would be the savior of mid-'90s U.K. rock, Radiohead sneaked a spanner ...
The Dap-Kings, Sharon Jones: Sharon Jones & the Dap-Kings: I Learned the Hard Way
Review by Steve LaBate, Paste, 6 April 2010
SHARON JONES WAS BRIMMING with promise as a kid in church choirs in the 1960s, as she bounced back and forth between her birth city ...
Review by Steve LaBate, Paste, 8 February 2011
Songwriter's songwriter creates hilarious and heartbreaking time capsule of life in our time ...
Bright Eyes, Conor Oberst: Conor Oberst: Catching Up With... Bright Eyes
Interview by Steve LaBate, Paste, 23 February 2011
AFTER A LENGTHY FOUR-YEAR HIATUS from the band that launched his career, Conor Oberst has reunited with his longtime Bright Eyes collaborators Mike Mogis and ...
Review by Steve LaBate, Paste, 1 March 2011
DEVOTCHKA'S FIFTH STUDIO LP, 100 Lovers, begins with a gorgeously moody and cinematic wash of synths, strings and piano seeping forth as if water through ...
Dum Dum Girls: He Gets Me High
Review by Steve LaBate, Paste, 1 March 2011
14 minutes in heaven… ...
Review by Bud Scoppa, Paste, 1 March 2011
BACK IN 1980, when she was just starting to find herself as a songwriter and singer, Williams chose to title her second album Happy Woman ...
Review and Interview by Steve LaBate, Paste, 8 March 2011
BRIGHT EYES' LATEST ALBUM, The People's Key, plays like some strange transmission beamed from deep space. In other words, it's nothing like its tethered-to-earth 2007 ...
J Mascis: Several Shades of Why
Review by Steve LaBate, Paste, 21 March 2011
IT'S HARD TO BELIEVE THAT — after 25 years of squalling guitar rock with Dinosaur Jr and a slew of other bands (from The Fog ...
Review by Bud Scoppa, Paste, 22 March 2011
I NEVER THOUGHT I'd be making this statement about a Strokes record, but the New York band's fourth album is packed with surprises. Sure, the ...
Those Darlins: Screws Get Loose
Review by Steve LaBate, Paste, 29 March 2011
WHETHER YOU THOUGHT they were a quirky-obnoxious novelty act or a gang of infinitely charming, boots-are-made-for-rockin' Americana party girls, forget your initial impression of Those ...
Review by Bud Scoppa, Paste, 11 April 2011
LIKE OTHER AMERICAN LISTENERS, I came late to Elbow, paying little attention to the veteran Manchester band until picking up on the U.K. buzz surrounding ...
Review by Holly Gleason, Paste, 17 May 2011
WITH A DESCENDING CIRCULAR FLOURISH of acoustic guitar notes, the bluegrass influence on Follow Me Down is evident, but the almost weightlessness suggests something else, ...
Jill Scott: The Light of the Sun
Review by Holly Gleason, Paste, 27 June 2011
JILL SCOTT REPRESENTS the modern thinking woman's evolved boho grit and dreams. Not one to buy into the fairy tales, she refuses to surrender the ...
Review by Holly Gleason, Paste, 28 June 2011
"GRINDSTONES AND RHINESTONES, that made up my life," Dolly Parton writes on the driving 'The Sacrifice', a dobro-laced song about work ethic and commitment, "but ...
Review by Holly Gleason, Paste, 30 June 2011
WHEN YOU'RE BEYONCÉ KNOWLES, machining the sheets of throbbing summer singles — muscular anthems that merge thick modern R&B, hip-hop-inflected beats and enough female-empowerment lyric ...
Review by Holly Gleason, Paste, 25 July 2011
SOUL CHILD JOSS STONE grew up going toe-to-toe and holding her own with some of classic R&B's finest, and that old soul presence made for ...
Review by Holly Gleason, Paste, 16 August 2011
GUY CLARK'S ALWAYS BEEN CHARMING, and that easy graciousness can obscure the exacting quality of his writing. Few can split a moment open with such ...
Stephen Malkmus: Man in the Mirror
Interview by Steve LaBate, Paste, 16 August 2011
IN SWELTERING L.A. — Hollywood, to be exact, right on the Sunset Strip — Stephen Malkmus and his band, the Jicks, are hard at work ...
Retrospective by Steven R Rosen, Paste, 22 August 2011
WHEN DON MCLEAN'S "American Pie" was released in late 1971, everyone tried to analyze what he meant by "the day the music died." McLean was ...
Robert Earl Keen: Ready For Confetti
Review by Holly Gleason, Paste, 30 August 2011
SOMEWHERE IN THE GULF between Guy Clark, Townes Van Zandt, Rodney Crowell and Lyle Lovett and next wave Lone Stars Pat Green, Jack Ingram, Stoney ...
Review by Holly Gleason, Paste, 14 September 2011
WHEN NEW WAVE ERUPTED on the back-end of punk, there was Blondie, all crisp beats, silent screen star peroxide beauty and a sense of '50s ...
The Decemberists: Long Live The King
Review by Holly Gleason, Paste, 31 October 2011
WITH THE DECEMBERISTS, it's a safe bet that somewhere between the post-Brit-folk of Fairport Convention and Morrissey's darkness, leader Colin Meloy will emerge with a ...
Ryan Adams Lets the Sunshine In
Review and Interview by Bud Scoppa, Paste, 2 November 2011
"GUYS, LOOK OUT THE WINDOW TO THE LEFT," Ryan Adams shouts to the other occupants of his tour bus, rolling through the verdant Oregon countryside ...
Betty Wright and the Roots: Betty Wright: The Movie
Review by Holly Gleason, Paste, 17 November 2011
"SOME PEOPLE think it's an untouchable subject, but I like to touch the untouchable," says Betty Wright as her organic roots funk Betty Wright: The ...
Interview by Holly Gleason, Paste, 23 November 2011
"FIONA MADE ME CLEAN OUT THE GARAGE," John Prine confesses with a chuckle that's equal parts warm breeze, cold beer and fried chicken. "I cursed ...
Review by Steve LaBate, Paste, 10 January 2012
WHEN THEIR FIRST HOMEMADE CASSETTE came out in Japan in 1982, who woulda thought that Shonen Knife would still be around, making records and touring ...
Review by Holly Gleason, Paste, 2 February 2012
WHEN YOU CALL Grammy-winning producer John Chelew, the man behind John Hiatt's career-resurrecting Bring The Family, you've got to want to be real. Thankfully, Ruthie ...
Chuck Prophet: Temple Beautiful
Review by Holly Gleason, Paste, 8 February 2012
NOT SINCE LOU REED paid homage to the city and era that forged him with New York has there been a song cycle dedicated to ...
Review by Holly Gleason, Paste, 29 February 2012
SOMEWHERE BETWEEN Leonard Cohen and Bob Wills lies the Promised Land inhabited by Lyle Lovett, who balances elegantly broken romanticism with loose-jointed swing that shuffles ...
Review by Holly Gleason, Paste, 4 April 2012
TO LIVE AND BREATHE in the sketchiest part of the Quarter...to hustle and flow, to let go... to get saved and find a funky kind ...
Review by Holly Gleason, Paste, 10 April 2012
IT'S BEEN SEVEN YEARS since Bonnie Raitt released Souls Alike, and a lot of life has happened. Losing her parents, brother and a best friend ...
Review by Holly Gleason, Paste, 10 April 2012
"I'M STILL GONE and it's all the same/ I'm taking notes and naming names…" snarls Nanci Griffith on the churlish, Pogues-evoking-the-Everlys 'Hell No, I'm Not ...
Rufus Wainwright: Out of the Game
Review by Holly Gleason, Paste, 1 May 2012
FEW PEOPLE TWIST the opposing aesthetics of lush and stark with the dexterity of Rufus Wainwright, the chanteuse with the steady aim on broken hearts ...
Alejandro Escovedo: Big Station
Review by Holly Gleason, Paste, 6 June 2012
WITH A BRAZEN SWAGGER drawn from Alejandro Escovedo's punk roots, the 61-year-old songwriter/yowler declares, "I can take a punch, I can take a swing…" on ...
Kelly Hogan: I Like to Keep Myself in Pain
Review by Steve LaBate, Paste, 6 June 2012
WHEN KELLY HOGAN'S last solo record was released, Ground Zero was still smoldering in Manhattan. More than a decade has slipped by since then, but ...
Crazy Horse, Neil Young: Neil Young and Crazy Horse: Americana
Review by Holly Gleason, Paste, 6 June 2012
ONLY NEIL YOUNG could take the campfire chestnut 'Oh, Susannah' and turn it into something that demands The Frug. But Young opens Americana, his folk'n'protest ...
Report and Interview by Steve LaBate, Paste, 11 June 2012
On the cusp of their 30th anniversary, the Godfathers of Grunge are too busy for nostalgia trips. Inside Atlanta's The Loft — a barely lit, industrial ...
Grace Potter & the Nocturnals: The Lion The Beast The Beat
Review by Holly Gleason, Paste, 19 June 2012
IT MUST BE FRUSTRATING to be Grace Potter. So much talent, such a fierce band, the kind of charisma that can't be taught, exuding sex ...
Review by Holly Gleason, Paste, 26 June 2012
MINDY SMITH'S MUSIC — at its best — is like a papercut: painful to the point of making you wince, yet somehow so compellingly bracing, ...
Review by Steve LaBate, Paste, 18 July 2012
THE MEMBERS OF BARONESS have always mixed in a little indie rock with their occasionally sludgy brand of prog metal. And they've always peppered their ...
Ariel Pink's Haunted Graffiti: Mature Themes
Review by Steve LaBate, Paste, 21 August 2012
WITH ALL THE BUZZ that's been building for him and his Haunted Graffiti bandmates over the last several years, this new record could have been ...
Rickie Lee Jones: So Many Roads
Interview by Steve LaBate, Paste, 27 August 2012
OVER UNDERSTATED, PERCUSSIVE ACOUSTIC GUITAR and the barely-there, spectral drone of an ancient organ, the voice of Rickie Lee Jones seeps like water from a ...
Alanis Morissette: Havoc & Bright Lights
Review by Holly Gleason, Paste, 28 August 2012
WHEN BARELY POST-ADOLESCENT Alanis Morissette exploded spewing vitrol and bodily fluids with her raging accusation of the spurned, 'You Oughta Know' from the mega-hit Jagged ...
Interview by Steve LaBate, Paste, 12 September 2012
THE RAVEONETTES' latest, Observator, was supposed to be an L.A. record. Gearing up to write for it, frontman Sune Rose Wagner blasted The Doors on ...
Review by Holly Gleason, Paste, 18 September 2012
A CASCADING BASS LINE that evokes the work of Motown's James Jamerson, all fat, swollen and narcotically melodic, opens 3 Pears, Dwight Yoakam's return to ...
Review by Steve LaBate, Paste, 19 September 2012
THIS ALBUM is full of horrible, heartbreaking things. Things that happen not just to bad people but good people, too. Of course, by the time ...
Bettye LaVette: Thankful N' Thoughtful
Review by Holly Gleason, Paste, 25 September 2012
BETTYE LAVETTE'S VOICE, sanded raw and consumed by emotion, is a powerful witness: strong, down and above all, real. Those attributes infuse Thankful N' Thoughtful ...
Review by Steve LaBate, Paste, 25 September 2012
OVER THE SPAN of 10 years and four albums, The Whigs have simmered their energetic, overdriven, no-frills rock sound to its potent essence. It's been ...
Review by Holly Gleason, Paste, 2 October 2012
ALL THE WAY BACK to Y Kan't Tori Read, Tori Amos has always been the feral Kate Bush — slightly more muscular, possibly more grounded ...
Wanda Jackson: Unfinished Business
Review by Holly Gleason, Paste, 9 October 2012
WITH A VOICE LIKE A CHAINSAW swallowed by a little girl, Wanda Jackson's brand of "shake 'em up, baby" is as kitten-with-a-whip as ever. The ...
Review by Holly Gleason, Paste, 4 December 2012
WITH A FEW CAREFULLY CONSIDERED piano notes, 'De Novo Adagio' reminds fans of soul diva Alicia Keys' classical roots and sets the stage for an ...
Review by Holly Gleason, Paste, 15 January 2013
WITH A LOUCHE SAUNTER and a thick, descending ripple of horn punctuations, Erin McKeown opens her first self-released album with a high-ironic colonic that skewers ...
Review by Holly Gleason, Paste, 12 February 2013
HOLLY WILLIAMS HAS WRASSLED all kinds of mainstream Nashville fringe: hippie country, postmodern country, even "kinda sorta" country. But all those records from the Nordic ...
Kris Kristofferson: Feeling Mortal
Review by Holly Gleason, Paste, 12 February 2013
AT 76, KRIS KRISTOFFERSON is one of Americana's true icons. A witness to old-school hillbilly music, rock's excess, punk's rebellion and modern country, the Rhodes ...
Review by Steve LaBate, Paste, 19 February 2013
THE CONCEPT BEHIND Mark Kozelek's new record — take metal songs, punk songs, classic-rock and pop songs and deliver 'em slow and soft, accompanied only ...
Rodney Crowell, Emmylou Harris: Emmylou Harris & Rodney Crowell: Old Yellow Moon
Review by Holly Gleason, Paste, 27 February 2013
ON 'HANGING UP MY HEART' and Roger Miller's vintage 'Invitation To The Blues', Old Yellow Moon's opening tracks, Rodney Crowell and Emmylou Harris seem to ...
Review by Holly Gleason, Paste, 27 February 2013
NASHVILLE HAD NEVER quite heard the likes of The Mavericks, a Miami five-piece with a retro countrypolitan lean and a Cuban-American lead singer with a ...
Review by Holly Gleason, Paste, 12 March 2013
TO LOOK AT THE PRETTY GIRL in the sundress under the parasol, Ashley Monroe could be one more Southern belle looking for her place in ...
Kacey Musgraves: Same Trailer, Different Park
Review by Holly Gleason, Paste, 26 March 2013
KACEY MUSGRAVES, 23, sings unvarnished truths about being hooked on "Mary Kay, Mary Jane and Mary down the block," but she's maintained the sunniness that ...
Review by Holly Gleason, Paste, 7 May 2013
WITH A BIT OF JUKE-JOINT loose blues strumming rising from a National guitar, Patty Griffin leans into 'Don't Let Me Die In Florida' with a ...
John Fogerty: Wrote A Song for Everyone
Review by Holly Gleason, Paste, 28 May 2013
JOHN FOGERTY'S GUESTS on Wrote A Song for Everyone may provide a pupu platter of genres, but the country/rock/progressive duet partners more often serve as ...
T Bone Burnett, John Mellencamp: T Bone Burnett on Ghost Brothers of Darkland County
Review and Interview by Holly Gleason, Paste, 31 May 2013
"I DON'T HAVE ANY HOPES FOR IT," T Bone Burnett confesses about Ghost Brothers of Darkland County, the Stephen King/John Mellencamp collaborative play/performance experience he ...
Jason Isbell: The Highway Loves The Sin
Review and Interview by Holly Gleason, Paste, 10 June 2013
"I REMEMBER that place being this mythical hellhole," Jason Isbell says quietly. He's not speaking of the addiction he's recently kicked, but the place of ...
Review by Holly Gleason, Paste, 25 June 2013
"SOME HOLY GHOST KEEPS ME HANGING ON," Mavis Staples intones over and over a loosely strummed acoustic guitar, world-weary yet resolved on the opening track ...
Robert Randolph & The Family Band: Lickety Split
Review by Holly Gleason, Paste, 16 July 2013
SINCE BURSTING into public consciousness, sacred steel prodigy Robert Randolph has straddled the worlds of the holy and the profane. On the jam band circuit, ...
Guy Clark: My Favorite Picture Of You
Review by Holly Gleason, Paste, 23 July 2013
AS HE ENTERS HIS 70TH YEAR, Guy Clark consolidates his standing as the eminence grise of Texas singer/songwriters with My Favorite Picture of You. A ...
Review by Holly Gleason, Paste, 23 July 2013
WITH A NOD to his wonderfully eclectic 1968 debut Song Cycle, legendary arranger/songwriter/producer Van Dyke Parks returns with the postcards from everywhere, Songs Cycled. Whether ...
The Runaways: Evelyn McDonnell: Queens of Noise: The Real Story of the Runaways
Book Review by Holly Gleason, Paste, 30 July 2013
Peeling away the clichés on the Runaways ...
Civil Wars, the: The Civil Wars: The Civil Wars
Review by Holly Gleason, Paste, 6 August 2013
PRESSURE MAKES DIAMONDS — or coal dust. For The Civil Wars, the triple Grammy-winners whose stark acoustica shook pop music, it created both. Amongst their ...
Retrospective and Interview by Steve LaBate, Paste, 26 August 2013
After a 14-year hiatus of the legendary rap group's original lineup, and CeeLo's explosion as a pop-culture icon, the originators of smart, righteously indignant Southern ...
Robbie Fulks: Gone Away Backward
Review by Holly Gleason, Paste, 27 August 2013
ALWAYS THE contentious kind, Robbie Fulks flexes the old Tareyton Cigarettes mode of doing business: "I'd rather fight than switch." To that end, he's remained ...
Janelle Monáe: The Electric Lady
Review by Holly Gleason, Paste, 10 September 2013
AN ENNIO MORRICONE sonic vista opens The Electric Lady, the sequel to Janelle Monáe's The ArchAndroid, making its ambition obvious. Overture burning off, a tugging ...
Review by Holly Gleason, Paste, 10 September 2013
CIRCULAR ACOUSTIC GUITAR NOTES shower down as Richard Buckner's voice, a tad quavering and common enough to seem to sing for us all, rises from ...
Justin Timberlake: The 20/20 Experience : 2 of 2
Review by Holly Gleason, Paste, 1 October 2013
AFTER SEVEN YEARS, Justin Timberlake knew: The 20/20 Experience could be too much of a good thing. Keeping the focus sleek, its pop/soul songs come ...
Review by Holly Gleason, Paste, 1 October 2013
"DON'T YOU THINK that it's boring how people talk," Lorde hypnotically intones as Pure Heroine, her wildly anticipated debut opens on the confessional 'Tennis Court'. ...
Albert Hammond Jr.: Albert Hammond, Jr.: Chasing Greatness
Interview by Steve LaBate, Paste, 20 January 2014
IT'S BEEN 13 lucky years — count 'em — since The Strokes' epic garage- and post-punk-channeling debut provided an indispensable shot in the arm to ...
Bill Callahan: Have Fun With God
Review by Steve LaBate, Paste, 21 January 2014
AS THE TITLE suggests, this record is the ghost of Bill Callahan's Dream River, drifting hypnotic across the astral plane and breaking through the white ...
Rosanne Cash: The River & The Thread
Review by Holly Gleason, Paste, 21 January 2014
LIKE A GOOD claret or damp moss, Rosanne Cash's singing is something to sink into. Surrender to the tones – mostly dark, but marked by ...
Uncle Tupelo: No Depression (Legacy Edition)
Review by Steve LaBate, Paste, 28 January 2014
IN THE SUMMER OF 1990, somewhere in the puzzling chasm between lipstick-smeared hair-metal excess and flannel-clad grunge irony, Uncle Tupelo arrived on the scene like ...
Review by Steve LaBate, Paste, 4 February 2014
IT'S FRIDAY NIGHT. You and your friends roll up on the club. It has no sign — no flashing marquee to beckon you inside. It ...
Robert Ellis: The Lights from the Chemical Plant
Review by Holly Gleason, Paste, 11 February 2014
LIKE SAM SHEPARD, Robert Ellis understands the tenderness beneath the untamed's leathery exterior. Born and raised in Lake Jackson, Texas, recently relocated to nouveau hipster ...
Review by Holly Gleason, Paste, 1 April 2014
LEON RUSSELL'S VOICE sounds like parched earth, cracked and its essence crawled out: raw, blistering, molten to the touch and savory in all the right ...
Review by Holly Gleason, Paste, 1 April 2014
FROM SEAN WATKINS' FIRST commanding acoustic guitar strokes on 'The Rest of My Life', it's obvious Nickel Creek has grown up. Sister Sara Watkins' fiddle ...
Retrospective by Holly Gleason, Paste, 8 April 2014
WHEN EMMYLOU HARRIS MADE Wrecking Ball, the atmospheric meditation on the unbearable lightness of being, it appeared the diaphanous vocalist had been gate-checked by the ...
Nickel Creek: Celebrating the Now
Profile and Interview by Holly Gleason, Paste, 15 April 2014
NEVER MIND THE GRAMMY AWARDS, the accolades and being young, gifted and at her creative peak. There was a moment during the recording of 2005's ...
Eels: The Cautionary Tales of Mark Oliver Everett
Review by Holly Gleason, Paste, 22 April 2014
THERE'S AN INHERENT SOFT-FOCUS to Mark Everett's worldview. His jagged details scrape your flesh to the bone, but his bitterness or rancor is tempered with ...
Review by Steve LaBate, Paste, 22 April 2014
FROM THE VERY FIRST 'Sweat Leaf'-channeling fuzz riff, there's no question what's being "dropped" on this latest dispatch from prolific San Francisco garage-psych veterans Thee ...
Review by Holly Gleason, Paste, 6 May 2014
IF LANA DEL RAY HAD PORES, bodily fluids or even the rare hair out of place, she might be Nikki Lane, the East Nashville firebrand ...
Book Review by Holly Gleason, Paste, 12 May 2014
EVERY SO OFTEN, a music bio arrives that becomes "the book to read." Think of Last Train To Memphis: The Rise of Elvis Presley and ...
Review by Holly Gleason, Paste, 13 May 2014
BEFORE DOLLY PARTON was country music's Mae West, she was a crystal-voiced songwriter who captured Appalachia's tiniest moments like fireflies in a jar. On Blue ...
Review by Holly Gleason, Paste, 14 June 2014
FOR A WOMAN with a voice like an open (if rough-edged) straight razor, Chrissie Hynde chose a smooth retro-pop vein to slash into for her ...
Old Crow Medicine Show: Remedy
Review by Holly Gleason, Paste, 1 July 2014
WITH 'BRUSHY MOUNTAIN CONJUGAL TRAILER', Remedy's dobro-dripping opener, Old Crow Medicine Show offers a salty, bawdy bit of old-time music basted with tangy strummin' and ...
John Hiatt: Terms of My Surrender
Review by Holly Gleason, Paste, 15 July 2014
"SOMETIMES LOVE CAN BE SO WRONG/ Like a fat man in a thong/ It walks shamelessly away," John Hiatt intones over the sauntering acoustic blues ...
Robert Plant: lullaby and...The Ceaseless Roar
Review by Holly Gleason, Paste, 9 September 2014
CINEMATIC. ORGANIC. DERVISH. Delta. Industrial. Celtic. Tribal. Gypsy. Yearning. Thrilling. The words to describe lullaby and…The Ceaseless Roar, Robert Plant's 10th solo album, are endless. ...
Stevie Nicks: 24 Karat Gold – Songs from the Vault
Review by Holly Gleason, Paste, 15 October 2014
LISTENING TO 24 Karat Gold is like being caught in a time warp. Then is now, now is then, and the listener feels confronted by ...
Jackson Browne: Standing In The Breach
Review by Holly Gleason, Paste, 28 October 2014
"IT'S NEVER BEEN THAT HARD to buy a gun/Now they'll sell a Glock 19 to just about anyone," muses Jackson Browne midway through 'The Long ...
D'Angelo and the Vanguard: Black Messiah
Review by Holly Gleason, Paste, 30 December 2014
AT MIDNIGHT ON DEC. 15, 14 years dissolved. One key-stroke, and the mythic follow-up to D'Angelo's Voodoo could be yours. Luxurious, raw, crashed-up, silky, a ...
Review by Holly Gleason, Paste, 10 February 2015
ON THE LAMENTING 'Pardon Me', Raul Malo's voice extends on the final word of a particularly lonesome "life I chose to lead", and it somehow ...
Review by Holly Gleason, Paste, 17 February 2015
ON THE RANDY, low-flying Stones-evoking 'Go Go Boots Are Back,' Steve Earle scrapes the same guttural rock 'n' roll that made 'Copperhead Road' so compelling. ...
Review by Holly Gleason, Paste, 3 March 2015
IF LENA DUNHAM is her generation's bullseye for narcissistic neurosis, then Lilly Hiatt is the Gen X/Y femme intellectuelle who uses hurt, doubt and self-knowledge ...
Review by Holly Gleason, Paste, 11 May 2015
IF 2011'S SELF-PRODUCED, self-released Revelation Road was Shelby Lynne leveling and exorcising the ghosts of her past, I Can't Imagine harvests the remaining sweetness of ...
Interview by Holly Gleason, Paste, 11 May 2015
"AS I STAND HERE TALKING TO YOU," Shelby Lynne confesses, on the phone from her Palm Springs home, "I have no clothes on. I can ...
Rodney Crowell, Emmylou Harris: Emmylou Harris & Rodney Crowell: The Traveling Kind
Review by Holly Gleason, Paste, 26 May 2015
IF OLD YELLOW MOON, Emmylou Harris and Rodney Crowell's first-ever duet album, felt like old friends catching up and remembering old times, The Traveling Kind ...
Kopecky: Drug for the Modern Age
Review by Holly Gleason, Paste, 28 May 2015
FORMERLY KNOWN AS THE KOPECKY FAMILY BAND, this Nashville sextet brings an eyes-open approach to the world of hooking up, checking out, disappearing into technology ...
Kacey Musgraves: Pageant Material
Review by Holly Gleason, Paste, 23 June 2015
"I'VE HAD MY PICTURE MADE with Willie Nelson/Stayed in a hotel with a pool," Kacey Musgraves trills early on Pageant Material, "Slept in a room ...
Review by Holly Gleason, Paste, 30 June 2015
IF JOY WILLIAMS weren't the distaff half of the Grammy-winning Civil Wars, Venus might play like a late 20th century single-sex college's elite women's studies ...
Review by Holly Gleason, Paste, 7 July 2015
VERUCA SALT BURST ONTO THE SCENE a caterwauling ball of sonic combustion, clawing, sneering, scratching with American Thighs in 1994. Named for Roald Dahl's tantrum-throwing ...
Joss Stone: Water For Your Soul
Review by Holly Gleason, Paste, 14 July 2015
JOSS STONE, modern queen of the timeless old-school soul, has propelled herself into a project merging hip hop, reggae, world music and R&B. Her tenure ...
Watkins Family Hour: Watkins Family Hour
Review by Holly Gleason, Paste, 14 July 2015
OFTEN COLLABORATIONS of wildly talented people fall short of the pieces, or force an outcome that feels designed to an end. For the Watkins Family ...
Grace Potter: Anything But Nocturnal
Review and Interview by Holly Gleason, Paste, 11 August 2015
GRACE POTTER SQUEALS midway through her last interview of the day. The mention of Donna Summer's street opera Bad Girls hits a nerve, and the ...
Keith Richards: Crosseyed Heart
Review by Holly Gleason, Paste, 15 September 2015
AS ROCK'S ENDURING PIRATE, Keith Richards embodies swagger, sangfroid and a certain delicious naughtiness. More than the Stones themselves, the guitarist exudes a dirt 'n' ...
Bikini Kill: Revolution Girl Style Now
Retrospective by Holly Gleason, Paste, 1 October 2015
BEFORE THE internet's ubiquity, the 140-character Twitterverse and more, DIY punk meant hanging your own flyers and hand-stapled fanzines. In 1991, Bikini Kill — a ...
Patty Griffin: Servant of Love
Review by Holly Gleason, Paste, 4 October 2015
"AMBULANCE DRIVERS and grave diggers/Mislaid fortunes grown bigger and bigger/Polar ice caps below and above/Conquered and claimed and ruined for love," Patty Griffin's porous, earthy ...
Review by Holly Gleason, Paste, 20 November 2015
ANTICIPATION'S A BITCH. For Adele, whose bajillion-selling 21 (okay, not a bajillion, but 30 million worldwide) proved emotional exorcism is its own commercial reward, how ...
Review by Holly Gleason, Paste, 18 December 2015
FROM THE OPENING NOTES of Prince's HITnRun Phase 2, it seems like a return to the days of the Purple One's midcareer classics like 'Cream', ...
Lucinda Williams: The Ghosts of Highway 20
Review by Holly Gleason, Paste, 5 February 2016
IN THE LATE '80S, Lucinda Williams emerged as the patron saint of busted love and broken dreams. Lucinda Williams and Sweet Old World established her ...
Review by Holly Gleason, Paste, 12 February 2016
LISSIE, IN MANY WAYS, is emblematic of the millennial/post-millennial generation's golden promise: follow your dream, work social media, find believers, win! Moving to California, her ...
Review by Holly Gleason, Paste, 4 March 2016
BONNIE RAITT HAS ALWAYS BEEN a pilot light, powering hard love, broken love, lost love and yes, unrequited love. In the valley of the unfulfilled ...
Review by Holly Gleason, Paste, 19 May 2016
BEFORE STURGILL SIMPSON or Chris Stapleton, there was Robbie Fulks: a hardcore alt-country sensation, writing subversive songs like his Nashville anti-Valentine 'Fuck This Town', 'She ...
Bonnie Bishop: Ain't Who I Was
Review by Holly Gleason, Paste, 6 June 2016
HOLLOW BASS CASCADING over a sunken groove, slinky guitar etching the melody and a palpable humidity establish 'Show A Little Mercy' as a satiny ribbon ...
Rhiannon Giddens: Freedom Highway
Review by Holly Gleason, Paste, 20 February 2017
ALWAYS AMBITIOUS, Americana/traditional folk artist Rhiannon Giddens uses Freedom Highway, her second solo album, for a contemporary end: tracing the roots of the BlackLivesMatter movement ...
Review by Holly Gleason, Paste, 21 March 2017
GROWING UP IS HARD TO DO. Growing up a wunderkind in public — your youth commodified as a talisman of sensitive youth — creates an ...
Review by Holly Gleason, Paste, 27 March 2017
FOR A SONG CYCLE that turns around death and mortality, Rodney Crowell's Close Ties is a decidedly jubilant affair. Co-produced by Kim Buie and Jordan ...
Review by Holly Gleason, Paste, 6 April 2017
IN THE SEVEN YEARS since Karen Elson's The Ghost Who Walks, there have been glimpses of the woman who was to emerge on Double Roses. ...
Review by Holly Gleason, Paste, 19 May 2017
LIKE A FAVORITE CHAIR, it's easy to take Ani DiFranco for granted. Always there, always as expected, always comfortable/satisfying in her execution, it's easy to ...
Review by Holly Gleason, Paste, 22 May 2017
STRIP AWAY THE SOPRANOS, the Underground Garage, the bandana-clad Springsteen sidekick role, the hyper-political Sun City all-star single and what you get is a true ...
Justin Townes Earle: Kids In The Street
Review by Holly Gleason, Paste, 23 May 2017
OTHER THAN THE CLASSIC Western shuffle 'What's She Crying For', with its piano sprinkles and steel guitar swerves, Kids In The Street marks the emancipation ...
Steve Earle & The Dukes: So You Wannabe An Outlaw
Review by Holly Gleason, Paste, 12 June 2017
SOMEWHERE IN THE SWAGGER STAGGER opening chorus of the cautionary title track of Steve Earle's return to the majors, the multi-Grammy winner half bellers/half brays ...
Shelby Lynne, Allison Moorer: Shelby Lynne & Allison Moorer: Not Dark Yet
Review by Jon Young, Paste, 16 August 2017
IT'S BEEN A LONG TIME COMING. Though Shelby Lynne and her younger sister, Allison Moorer, have released a slew of solo records between them since ...
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