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New Statesman

New Statesman

The New Statesman is a British political and cultural magazine published weekly in London. Founded as a weekly review of politics and literature on 12 April 1913, the magazine has a left-of-centre political position.

95 articles

List of articles in the library

By date | By artist | Most recently added

50 Cent: Shady Business

Comment by Ted Kessler, New Statesman, 31 March 2003

Ted Kessler on the rise of a new rap star who just can't stay out of trouble ...

Lily Allen, James Blunt, Blur, Coldplay, Florence and the Machine, Genesis, La Roux, The Maccabees, Laura Marling, Mumford & Sons, Mark Ronson, The Zombies: The privileged are taking over the arts – without the grit, pop culture is doomed

Comment by Stuart Maconie, New Statesman, 4 February 2015

With school music spending down and the benefits system crippled, the voices of pop have lost their bite. ...

Lily Allen, Joanna Newsom, Amy Winehouse: Year Of The Woman

Overview by Jude Rogers, New Statesman, 11 December 2006

At the beginning of 2006, the prospects looked bleak for strong, idiosyncratic female pop acts. Jude Rogers meets three remarkable artists who changed all that ...

Animal Collective, The Beach Boys, Fleet Foxes, Grizzly Bear: The Lure Of The Beach

Report and Interview by Jude Rogers, New Statesman, 12 June 2008

A new generation of US bands cites the Beach Boys as a huge inspiration. Why now? ...

Arcade Fire: Neon Bible

Review by Jude Rogers, New Statesman, 19 March 2007

MONTREAL'S ARCADE FIRE are the band of the moment. To the critical mob and clued-up music fans, they are the fresh-faced heirs to the epic-pop ...

Arctic Monkeys: AM (Domino Records)

Review by Kate Mossman, New Statesman, 5 September 2013

The Arctic Monkeys' fifth album, AM, has changed the sound but not the character of Britain's "Last True Indie Band". ...

Arctic Monkeys: Tranquility Base Hotel & Casino

Review by Kate Mossman, New Statesman, 17 May 2018

Space is the place where Alex Turner can let his solipsistic weirdness emerge. ...

Arthur Lee, Love: Arthur Lee: Winter of Love

Overview by Ted Kessler, New Statesman, 20 January 2003

MANY outrageous claims have been made on Arthur Lee's behalf — but most of them are true. ...

The Associates, The Smiths: The Smiths: Meat Is Murder; The Associates: Perhaps

Review by Barney Hoskyns, New Statesman, Spring 1985

MORRISSEY OF The Smiths is still the unlikeliest pop star of all. Watching him jerk and flounder about on Top Of The Pops last week, ...

Kevin Ayers: It shook me up, interviewing Kevin Ayers. "I've felt like that my whole life," his daughter tells me

Memoir by Kate Mossman, New Statesman, 19 October 2019

I tell Galen that I found interviewing her father strangely upsetting and she says, "then we are the same." ...

Burt Bacharach: Royal Festival Hall, London SE1; Anyone Who Had a Heart (Alcourt)

Review by Kate Mossman, New Statesman, 18 July 2013

The effect of seeing Bacharach live at the Royal Festival hall was to be hit by more top-40 songs that you'd think a single act ...

The Beach Boys, Amy Winehouse: Mawkish Tabloid Fare: How the Amy Winehouse Film Fails

Film/DVD/TV Review by Kate Mossman, New Statesman, 2 July 2015

This film laments the way Winehouse's life was intruded upon while relying on the same methods to create drama. ...

The Beatles: You Never Give Me Your Money: The Battle For The Soul Of The Beatles by Peter Doggett

Book Review by Jude Rogers, New Statesman, 8 October 2009

BY NOW all of us should have recovered from our latest dose of Beatlemania, occasioned by the release of the Beatles' remastered back catalogue on ...

The Beatles: Why the Beatles' Abbey Road reigns supreme 50 years on

Retrospective by David Hepworth, New Statesman, 9 October 2019

The interesting thing about the 1969 record is that it is bigger now than it was then. ...

The Beatles, The Rolling Stones: The return of the Beatles vs Stones wars

Retrospective by David Hepworth, New Statesman, 24 February 2023

As news of a Rolling Stones album featuring Paul McCartney appears, the press reignites a culture war it confected. ...

Beck: "I miss people. I have a longing for connection and human contact": Life on Planet Beck

Profile and Interview by Kate Mossman, New Statesman, 30 January 2018

THE CHILSTON PARK Hotel in Lenham, Kent, was once owned by Judith and Martin Miller, the antiques stars of the '80s who wrote the Miller's ...

Jeff Beck: The £7m fingers: how Jeff Beck became a guitar hero by saying no

Profile and Interview by Kate Mossman, New Statesman, 22 July 2016

Kate Mossman talks to Jeff Beck about escaping Eric Clapton's shadow, dodging fame, and why he can't go and see Pat Metheny. ...

Belle And Sebastian, Alice Cooper, Grateful Dead, The Jam: Slaves to the rhythm: What the non-frontmen have to say

Book Review by James Medd, New Statesman, 18 June 2015

That's Entertainment: My Life in the Jam Rick Buckler Omnibus Press, 384pp, £14.95 Deal: My Three Decades of Drumming, Dreams and Drugs with the Grateful Dead Bill ...

Justin Bieber: O2 Arena, London

Live Review by Kate Mossman, New Statesman, 5 March 2013

Dazed and deeply confused. ...

Big Country, U2: Epic Affirmation: U2 and Big Country

Essay by Barney Hoskyns, New Statesman, 9 November 1984

WITH ALL THE hype of chart pop proving more contagious that ever, what chance does the passionate old dream of rock now stand? If Jon ...

Björk: Independence Day

Interview by Jude Rogers, New Statesman, 27 March 2008

Independence Day: Björk's cry of "Tibet, Tibet" at a recent concert in Shanghai pre-empted the riots in Lhasa and outraged the Chinese authorities. It was ...

Björk: Greta Thunberg and Björk in conversation

Interview by Kate Mossman, New Statesman, 17 October 2022

The world's leading voice for climate action and its most original singer-songwriter discuss greenwashing, fame, Cop27, music and the matriarchy. ...

Björk: In Björk Digital, you become the singer's ex-lover – and there's no looking away

Report by Kate Mossman, New Statesman, 9 September 2016

Björk's new experiment takes music of claustrophobic unhappiness and shifts it into a relentless, dynamic world. ...

Björk, Chvrches, Laura Mvula, The Strypes, The Weeknd: Pop in 2013 — Under the influence

Preview by Kate Mossman, New Statesman, 3 January 2013

What to listen out for this year. ...

Blondie, Marianne Faithfull, Jimmy Page, Ed Sheeran: Picture this: The love affair between rockers and the lens

Book Review by James Medd, New Statesman, 16 October 2014

Jimmy Page: Jimmy Page (Genesis) Marianne Faithfull: Marianne Faithfull – A Life on Record  (Rizzoli) Chris Stein: Negative – Me, Blondie and the Advent ...

Blur, Oasis: Look Back In Anger: Britpop

Retrospective by Jude Rogers, New Statesman, 13 August 2009

Fifteen years ago, a teenage Jude Rogers was enchanted by a new pop sound and a new politics, both of which promised to change the ...

Jon Bon Jovi on Trump, Bono, Bieber — and the agony of his split with Richie Sambora

Profile and Interview by Kate Mossman, New Statesman, 1 November 2016

IT'S SOMETHING unheard of in the modern PR junket, but Jon Bon Jovi interviews are running early. Breaks have been built into his day but ...

David Bowie: Let's Not Pretend: David Bowie's Brit Award was for being alive

Comment by James Medd, New Statesman, 20 February 2014

Musicians and pundits need to get over their obsessive, nostalgic hero-worship. In 2014, David Bowie is irrelevant. ...

David Bowie, John Lennon, Keith Richards: Mike Roberts: How Art Made Pop (And Pop Became Art)

Book Review by Stuart Maconie, New Statesman, 16 January 2019

From Roxy Music to Florence and the Machine, a new book chronicles the long, fertile and symbiotic relationship between pop music and the art schools ...

Burial: Untrue (Hyperdub)

Review by Jude Rogers, New Statesman, 15 November 2007

To a different beat: With jagged, fragile soundscapes, the mysterious Burial has created a modern classic, writes Jude Rogers ...

Kate Bush, Leonard Cohen, Pet Shop Boys: When song lyrics become literature

Essay by Jude Rogers, New Statesman, 2 January 2019

From Pet Shop Boys to Kate Bush, pop stars are publishing their songs as books. What do their words reveal about them? ...

Glen Campbell, Tom Jones, Tony Christie: Crooners: The Second Coming

Overview by Jude Rogers, New Statesman, 23 October 2008

Inspired by Johnny Cash with his ring of fire, a slew of ageing crooners are pursuing their desires ...

Glen Campbell: Kate Mossman on extreme pop tourism: who would fly 5,000 miles for a gig?

Comment by Kate Mossman, New Statesman, 22 March 2017

Glen Campbell's daughter says, "Dad, she's come 5,000 miles to see you!" I add, "How sad is that?" ...

Nick Cave: "I don't think art should be in the hands of the virtuous"

Interview by Kate Mossman, New Statesman, 24 November 2022

The musician on why Morrissey matters, his deepening faith and grieving for his sons. ...

Christine and the Queens: Why Christine and the Queens makes me feel like I'm ten years old and climbing a tree

Comment by Kate Mossman, New Statesman, 28 November 2018

SHORTLY BEFORE THE end of her gig last week at the Hammersmith Apollo, Héloïse Letissier, in bra and trousers, ran from the upper circle back ...

Chick Corea: How Chick Corea shaped a jazz generation

Comment by Kate Mossman, New Statesman, 24 February 2021

The pianist, who died in February, was one of the founding fathers of jazz fusion — a deeply misunderstood genre. ...

Patrick Cowley's pioneering electronica

Retrospective by Jude Rogers, New Statesman, 30 October 2019

Today, Patrick Cowley is barely known outside record-collecting circles: but his ecstatic electronic disco left an indelible mark on the music scene. ...

Terence Trent D'Arby: "I was killed when I was 27": the curious afterlife of Terence Trent D'Arby

Interview by Kate Mossman, New Statesman, 9 October 2015

Terence Trent D'Arby's 1987 debut album sold a million copies in three days. The music press went mad for him. Where was there to go ...

Depeche Mode's Dave Gahan: "Why I don't understand my own band"

Profile and Interview by Kate Mossman, New Statesman, 1 June 2017

WHEN NEIL TENNANT of the Pet Shop Boys was the assistant editor of Smash Hits, he made the following observation: ...

Bob Dylan: Tempest

Review by Kate Mossman, New Statesman, 5 September 2012

DYLAN FANS have invented some amusing parlour games. One is 'Guess That Song' from the strange, incomprehensible soup of his live performance. Another is keeping ...

Bob Dylan: The Philosophy of Modern Song

Book Review by Jude Rogers, New Statesman, 1 November 2022

In The Philosophy of Modern Song, 62 of the 66 featured songs are performed by men. Is the 81-year-old songwriter still intent on provocation? ...

Brian Eno: "How can Alastair Campbell have a TV career?"

Profile and Interview by Kate Mossman, New Statesman, 16 May 2013

THE TOILETS OF the famous are centres of great significance. Liz Taylor was so used to guests snooping in hers, she filled the bathroom cabinet ...

Erasure: Under a railway arch in Vauxhall, Erasure's Andy Bell talks about lust, loss and sensing stardom

Profile and Interview by Kate Mossman, New Statesman, 10 April 2019

Bell was an openly gay pop star "bubbling up from Boy George and Jimmy Somerville", in an era when pop stars weren't openly gay. ...

Frankie Goes to Hollywood: Phenomenal: Frankie Goes To Hollywood

Report by Barney Hoskyns, New Statesman, 1984

THAT A GROUP should make the fourth-best selling British single of all time with their first release is remarkable; that they should follow it up ...

Gotye, Kimbra, Janelle Monáe: Right on the Monáe: Janelle Monáe, Gotye, Kimbra

Report by Kate Mossman, New Statesman, 18 July 2012

THE FIRST RULE for writers – apply seat of pants to chair – works for musicians, too. Thirty years ago, the hairbrush and the bedroom mirror ...

Ariana Grande: How Ariana Grande floated free

Comment by Kate Mossman, New Statesman, 29 August 2018

Grande has lifted the weight of the Manchester terror attack with a collection of gloriously oddball, career-changing pop songs. ...

Green Day: Mossman on music: Green Day's musical

Live Review by Kate Mossman, New Statesman, 19 October 2012

The Green Day-inspired musical reviewed. ...

Chrissie Hynde, The Slits, X-Ray Spex: Lasses of the Mohicans

Retrospective by Vivien Goldman, New Statesman, 31 October 2011

Vivien Goldman charts the history of Britain’s rebellious female punks. ...

Michael Jackson: Blame it On the Good Times: The Life and Living Death of Michael Jackson

Essay by Barney Hoskyns, New Statesman, 6 July 2009

IN SEPTEMBER 1979, my friend Davitt Sigerson – then a very good white writer on black music; later the chairman of Island Records in America; ...

Michael Jackson: Out of His Life: Michael Jackson

Report by Barney Hoskyns, New Statesman, 17 August 1984

BY NOW, of course, you’ve been told more than you could possibly want to know about Michael Jackson. Such has been the media saturation of ...

Michael Jackson: The Boy in the Bubble

Retrospective by Kate Mossman, New Statesman, 14 November 2012

Released 30 years ago, Michael Jackson's album Thriller was the beginning of his assault on the white pop world. It's so dazzling it makes you ...

KISS: What happened when Kiss went to Moscow

Report and Interview by Kate Mossman, New Statesman, 18 May 2017

WHEN GENE SIMMONS decided he wanted to be a rock star, he made a deal with his mother: be in a band but show me how ...

Lorde: Pure Heroine (Universal)

Review by Jude Rogers, New Statesman, 21 November 2013

THE BILLBOARDS glower on high streets in black and white, their closest visual neighbour in music being the artwork for Joy Division's final album, Closer. ...

Lostprophets: Rock Music Isn't Evil — it's the rock star myth that creates men like Ian Watkins

Comment by Ben Myers, New Statesman, 18 December 2013

Music journalist and author Ben Myers has been doing some soul-searching on the day the former Lostprophets singer was sentenced to twenty-nine years' imprisonment plus ...

LP: "I can feel the male and female in me flying around in a fury when I'm singing": LP on songwriting and diversity

Interview by Kate Mossman, New Statesman, 5 December 2018

She has written hits for Rihanna, Cher and Christina Aguilera — and she's been dropped by a series of major labels. Is it finally time for ...

Madonna: Seen It All Before: Madonna, Millennium Stadium, Cardiff

Live Review by Jude Rogers, New Statesman, 11 September 2008

After 25 years of pop hits, Madonna's shock tactics are just embarrassing  ...

Madonna: MDNA

Review by Kate Mossman, New Statesman, 6 March 2012

SHE HAS A STOCK answer for it now. American news anchor Cynthia McFadden recently questioned Madonna about the uncanny resemblance between her 1989 hit 'Express ...

Bob Marley & the Wailers: Bob Marley: Keep On Moving

Retrospective by Vivien Goldman, New Statesman, 28 May 2007

Hailed as the best album of the 20th century, Bob Marley's Exodus is 30 years old next month. Vivien Goldman recalls the sessions that produced ...

Laura Marling: Whenever power emerges, there's a sense of innocence lost — Laura Marling: Once I Was An Eagle (Rough Trade)


Review by Kate Mossman, New Statesman, 23 May 2013

Her voice, once so English, has turned into a slip-slidey American lilt, half-speech, half-jazz, frequently yoyoing to a deeper register... In Marling, we're watching an ...

Kylie Minogue: "It's not right if you're a woman who enjoys expressing her sexuality pretending you're not sexual"

Interview by Jude Rogers, New Statesman, 27 March 2014

Jude Rogers talks to the pop princess about gay best friends, life after breast cancer and why she spent New Year alone. ...

Kylie Minogue: The mysterious popstar who can do no wrong

Report and Interview by Kate Mossman, New Statesman, 29 November 2012

As an album of "reimagined" Kylie songs emerges, Kate Mossman goes in search of the singer herself. ...

Joni Mitchell: "I didn't want anyone to know it was me": On being Joni Mitchell's 'Carey'

Retrospective and Interview by Kate Mossman, New Statesman, 17 December 2021

For 50 years, the "mean old daddy" immortalised in one of Mitchell's best-loved songs has been an enigma. Now he tells his side of the ...

New Model Army: Top of the Antipops: New Model Army

Profile by Barney Hoskyns, New Statesman, 1984

PUNK IS DEAD in letter but not in spirit. That is the message from a new school of groups who do not make videos and ...

Frank Ocean Comes Out: A Brave Move In The Exaggeratedly Heterosexual World Of Hip Hop

Comment by Dorian Lynskey, New Statesman, 4 July 2012

What it means to be the first out gay star in urban music. ...

Dolly Parton: Warmth, Wonder and Wisdom: Dolly Parton, O2 Arena, London

Live Review by Jude Rogers, New Statesman, 17 July 2008

The superstar country singer proves her worth as a feminist icon. ...

Lee "Scratch" Perry: Caribbean Shaman: Lee "Scratch" Perry

Retrospective by Vivien Goldman, New Statesman, 12 June 2006

ON THE NIGHT Lee "Scratch" Perry performed at the New York venue B B King's last month, the news came through that the 1960s ska ...

Pet Shop Boys: Yes

Review by Jude Rogers, New Statesman, 26 March 2009

NEARLY 30 YEARS ON, the Gilbert and George of pop are still charmers. Like two Planet Pop missionaries sent to cheer us up in the ...

Queen: The cartoon unreality of Bohemian Rhapsody reveals how Queen see themselves

Film/DVD/TV Review by Kate Mossman, New Statesman, 25 October 2018

This is a group who wrote their songs not for personal reasons but with tens of thousands of people in mind.   ...

Lou Reed: Why no one wanted to write his obituary

Comment by Kate Mossman, New Statesman, 1 November 2013

MOST ROCK STARS are about 70 years old these days, so their departure is a constant possibility and music journalists are mentally prepared to trot ...

R.E.M.: Shiny, Happy People: R.E.M.: Royal Albert Hall, London

Live Review by Jude Rogers, New Statesman, 10 April 2008

The veteran rock band have regained the passion that made them great ...

Ren Harvieu, Lana Del Rey: Far from Dusty: Ren Harvieu and Lana Del Rey

Review by Kate Mossman, New Statesman, 23 January 2012

TWO GUYS ON a streetcar in 1940: "Say, have you heard about that horn player Louis Armstrong? He's so authentic! His mother was a prostitute, you ...

Lana Del Rey: How the world caught up with Lana Del Rey

Comment by Kate Mossman, New Statesman, 9 October 2019

When Lana Del Rey emerged, she was attacked for being inauthentic. But her strange brand of brooding, bruised Americana now seems to fit the times. ...

Rihanna's Victim-Diva Complex

Essay by Kate Mossman, New Statesman, 27 June 2013

Six months ago Rihanna looked like she was losing it, and now she looks to be in complete control. ...

Mark Ronson: Version

Review by Jude Rogers, New Statesman, 9 April 2007

POP MUSIC in 2007 is glorious – energetic, intelligent and glowing with life. Its master of ceremonies is Mark Ronson, a charismatic London-born New Yorker ...

Secret Affair: My secret affair

Comment by Kate Mossman, New Statesman, 28 November 2012

Why '70s power pop is unfashionably cool again ...

The Shamen: No Right To Party: Acid House

Report by Mark Sinker, New Statesman, 14 April 1990

2005 note: Unforgivable as actual real journalism – I made no effort to represent the anti-drug position – this still works as a snapshot of ...

The Shins: Transgressive

Review by Jude Rogers, New Statesman, 22 January 2007

THE SHINS – four men in their mid-thirties from New Mexico who style themselves as "an American pop combo" – are the literate, intelligent music ...

Paul Simon: Kate Mossman on Paul Simon's Rhythm of the Saints

Memoir by Kate Mossman, New Statesman, 16 December 2017

WHEN I WAS TEN, we entered a raffle at an ice rink and won a holiday to the south of France. ...

Slade: Dave Hill: So Here It Is (Unbound)

Book Review by Jude Rogers, New Statesman, 22 December 2017

THE EXCLAMATION mark in biography is a peculiar thing. It leaps from the page like a spark from a bomb, but it is jollier, perkier, ...

Soul II Soul: Jazzie B and the New Black Economy

Report and Interview by Cynthia Rose, New Statesman, 17 June 1988

A thriving underground enterprise culture has grown up around music – bootlegged vinyl, pirate radio, warehouse parties. It’s a black economy powered by black aesthetics ...

Spice Girls: The Spice Girls: Never Mind The Bum Notes

Live Review by Jude Rogers, New Statesman, 3 January 2008

The Spice Girls: O2 Arena, London ...

Lisa Stansfield: "Some women will shag anything to get anywhere"

Retrospective and Interview by Kate Mossman, New Statesman, 15 February 2018

She was the biggest British female soul star of the Nineties. At 51, she's back and ready to let loose. ...

Sharon Van Etten: Remind Me Tomorrow (Jagjaguwar)

Review by Kate Mossman, New Statesman, 23 January 2019

In Van Etten's new album, life's mess is powerful and holding it all in your arms is a creative act. ...

Jack White: What's Jack White made of?

Comment by Kate Mossman, New Statesman, 2 May 2012

White never stops working and everything he works with turns to gold. ...

The xx's Coexist Is An Album To Get You In The Mood For Misery

Comment by Kate Mossman, New Statesman, 20 September 2012

Ideal for autumn, the season of mists... ...

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