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Rock's Backpages is the world's most comprehensive online database of pop music writing, a unique resource unavailable elsewhere online. It contains an
ever-expanding collection of primary-source full-text articles from the music and mainstream press from the 1950s to the present day, along with a collection of
exclusive audio interviews.
Subscriptions to Rock’s Backpages are available for institutional or personal use.
For institutions, Rock's Backpages is provided as an unlimited access subscription, meaning that all staff, students and library patrons have
unrestricted remote and on-site access to each text and audio file in the database. For full terms, please click here.
Please visit our Institutional Subscriptions page for further information and to arrange for a trial or quote.
Enter your email address in the field below and we'll send you a password to read all free articles on RBP.
Rock's Backpages is the world's most comprehensive online database of pop music writing, a unique resource unavailable elsewhere online. It contains an
ever-expanding collection of primary-source full-text articles from the music and mainstream press from the 1950s to the present day, along with a collection of
exclusive audio interviews.
Subscriptions to Rock’s Backpages are available for institutional or personal use.
For institutions, Rock's Backpages is provided as an unlimited access subscription, meaning that all staff, students and library patrons have
unrestricted remote and on-site access to each text and audio file in the database. For full terms, please click here.
Please visit our Institutional Subscriptions page for further information and to arrange for a trial or quote.
Signing up for the RBP newsletter provides access to a limited number of free articles, as well as six new free articles every week.
Killer Riffs: A Guide to Parody in Popular Music
Simon Reynolds,
Pitchfork,
19 October 2016
From the Residents' freakish Beatles sendups, to Spinal Tap's meta-metal escapades, to the gastronomic goofs of "Weird Al", a chronicle of those who have turned pastiche and mimicry into an art form across the last 50 years.
Total word count of piece: 7531
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