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Bright Eyes: Koko, London

Caroline Sullivan, The Guardian, 22 March 2007

IT IS A TRIBUTE to Conor Oberst's force of personality that the name Bright Eyes is now associated with him rather than with the rabbit-eulogising Art Garfunkel hit. Once indie audiences started taking notice of him via his 2002 album Lifted or the Story is in the Soil, Oberst's whimsical magnetism did the rest.

Total word count of piece: 299

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